orphic tabs or sheets / differx. 2007-2020

One of my first flarfy & spam-derived “orphic tabs” (or “orphic sheets”) was published by the late William James Austin in 2007, in his mag “BLACKBOX”, Sept. 2007, the “summer collisions” issue.

About that issue I could only find an email in the Spidertangle newsletter, Sept. 16, 2007.
(The old link williamjamesaustin.com/orphicsheet002.html doesn’t work anymore, of course).

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Other pieces appeared in Starfishpoetry, and Poetry Kessel-lo (two now offline sites).

Find others in The Flux I Share (Jan., 2008): ex fluxishare.blogspot.com/2008/01/orphic-tab-029.html now http://the-flux-i-share.blogspot.com/2008/01/orphic-tab-029.html; & in SayingSomething: http://sayingsome.blogspot.com/2008/01/orphic-tab-040.html

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Then serious asemic orphic tabs appeared in The New Postliterate (Sept., 2009): http://thenewpostliterate.blogspot.com/2009/09/asemic-orphic-sheets-from-marco.html

A sheet in Italian has appeared in facebook only.

Here below are some of the pieces, and more ones (click to enlarge, read & enjoy):

lo spazio differx su tumblr compie oggi 8 anni di attività

http://www.differx.tumblr.com

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festapoesia concreta (accademia d’ungheria in roma, 21 apr. – 5 mag. 2018): i materiali verbovisivi e l’incontro del 2 maggio

C O N C R E T A – FESTAPOESIA

21 aprile – 6 maggio

Accademia d’Ungheria in Roma
via Giulia 1

da un’idea di Giuseppe Garrera, István Puskás e Sebastiano Triulzi.
in collaborazione con Lorenzo de’ Medici The Italian International Institute
https://www.facebook.com/events/2110818065815317/

 

Quest’anno l’edizione di UrbsArt è dedicata alla lingua e alla poesia nelle sue varie forme: il 21 aprile 2018 inaugura il festival di poesia e musica CONCRETA-FESTAPOESIA. Una grande mostra, e ogni venerdì e sabato incontri di poesia (poeti dall’Ungheria, dall’Italia, dalla Svezia, dalla Norvegia, dalla Slovacchia, dalla Francia, dalla Germania, dalla Finlandia, dalla Polonia, dalla Repubblica Ceca, dagli USA), arte (esposizioni e omaggi monografici) e musica (concerti d’avanguardia e di ricerca sonora e visiva). Continue reading

fortunosamente reperita in un ovetto di cioccolato la spiegazione del perché alcune riviste letterarie praticano una incontrollata assertività da vent’anni e costantemente se ne gloriano

"símbols trobats" [=found symbols] by portolà group

   

   

Co-Sticker Slapping (Mislav Rapaholik & Radna Bilježnica) @ fb

 
https://www.facebook.com/photo.php?fbid=438732596164781&set=a.438728512831856.93970.197389663632410&type=1&ref=nf

(https://fbcdn-sphotos-f-a.akamaihd.net/hphotos-ak-ash3/523473_438732596164781_1050502545_n.jpg)

https://www.facebook.com/photo.php?fbid=438729382831769&set=a.438728512831856.93970.197389663632410&type=1&ref=nf

(https://fbcdn-sphotos-f-a.akamaihd.net/hphotos-ak-snc6/199721_438729382831769_1565960207_n.jpg)

Katie Paterson, Inside this desert lies the tiniest grain of sand

A nano-sized grain of sand, buried deep within the Sahara desert.
<a href="http://www.katiepaterson.org/images/Katie_Paterson_Inside_this_desert.jpg&quot; rel="all" title="Inside this desert lies the tiniest grain of sand, 2010, silver gelatin print, 120x180cm
Haunch of Venison”>Katie Paterson
A grain of sand collected from the Sahara Desert was chiseled to 0.00005mm, using special techniques in nanotechnology. This new minute grain of sand was then taken back to the Sahara and buried deep within its vast desert sands.