Archivi tag: experimental writing

▼ 120 memorabilia ♫♫♫ / differx. 2009

upland plural
eat ur nidge oaklet
borax number dine dice
abacunt
*ive yer lady more pleasure‎ – best drugs. unleash your male power

lwinston3
»
a natural solution to your unwanted smoking habit
clearit-ordonix is a step forward in skin treatment

»
k’s wife home video‎ – still can’t follow

short_nr_15nn
»
a sharp bioblade pointed on bacteria side.‎
forget about fear to be “limp” in front of woman – get the support of your dream
eru7uegi
cos
women metabolism can be controlled with prometrium.‎
our products are like the insurance in the world of night pleasure mortgage

lindsey august morning mortgage
»

aloha‎ – buster packed old whisk.
spark credit packed insist.
dhurry sty wroth fink! petal diddle dhurry …
31 jul
inq7aqu

»
feel the different life with enhancers‎ –
gain an athletic look gwith ghuman growth gormone

alise flor
alice thor
need cheap drugs fast? save $10-$30 on all drugs. guarantee.
lowestprice. hurry, stay healthy during down market – buy at stick of pleasure discount pharmacy frances friendly online pot

what makes a great health?
stick of pleasure discount pharmacy frances friendly online pot

»
magnesium oxide replenishment to your organism.‎
– pilules for conjugation
– send to a colleague

tray
bigger tool with ash efforts‎

»
mccane private party‎
nocturno
on your way to sax
amaze her: the more kilos you weigh the less you live‎.
x
x
x

juridical medicine for natural people
x

x
»
refill your carnal charge‎ x missed calls‎
x
athletic look
x
magnesium

l’eccellenza letteraria. christian bök, per esempio

Per esempio, esistono autori così (anche se, va detto, di autori così ne esiste uno solo) e nonostante ciò in Italia i bloggherini si interrogano sulla instapoetry o fanno le classifiche, e le foto ai cani. Così va.

Suvvia, seguite slowforward, vi dice qualcosa di diverso:

Christian Bök is a Fellow of the Royal Society of Canada, and he is the author of Eunoia — a bestseller, which has gone on to win the Griffin Poetry Prize. Bök is an avant-garde poet of global renown, earning his repute as one of the original founders of the literary movement called Conceptualism (a poetic school made famous, in part, by the activities of the poet, Kenneth Goldsmith, the proprietor of UbuWeb). Bök has created artificial languages for two television shows: Gene Roddenberry’s Earth: Final Conflict and Peter Benchley’s Amazon. Bök has earned many accolades for his virtuoso recitals of ‘sound-poems’ (particularly Ursonate by Kurt Schwitters) — and during his career he has performed his poetry at more than 650 venues around the world. Bök is on the verge of finishing his current project, entitled The Xenotext (a work that requires him to engineer a bacterium so that its DNA might become not only a durable archive that stores a poem for eternity, but also an operant machine that writes a poem in response). Bök has displayed examples of his artworks at dozens of galleries, including The Power Plant in Toronto, the Museum of Contemporary Art in Denver, and the Marianne Boesky Gallery in New York. He resides, as an artist, in Melbourne.

_

etel adnan with charles bernstein

from The Brooklyn Rail

Join legendary poets and artists Etel Adnan and Charles Bernstein for a broadcast conversation that was also included as a feature conversation in the Rail’s February 2021 issue.

Learn more: https://brooklynrail.org/events/2021/02/23/etel-adnan-with-charles-bernstein

Read the interview: https://brooklynrail.org/2021/02/art/ETEL-ADNAN-with-Charles-Bernstein

Poet, essayist, and painter Etel Adnan was born on February 24, 1925, in Beirut, Lebanon. She studied philosophy at the Sorbonne in Paris, France, as well as at the University of California, Berkeley and Harvard University. She has written more than a dozen books of poetry, fiction, and essays, including Time (Nightboat Books, 2019), translated by Sarah Riggs and winner of the Griffin Poetry Prize, Surge (Nightboat Books, 2018), and Night (Nightboat Books, 2016). Her poetry collection Sea and Fog (Nightboat, 2012) won the Lambda Literary Award for Lesbian Poetry and the California Book Award. She is also the recipient of a PEN Oakland-Josephine Miles Award and in 2014 was named a member of the Ordre de Chevalier des Arts et des Lettres, one of France’s highest cultural honors.

Charles Bernstein is a poet and a scholar. He is a foundational member and leading practitioner of Language poetry. Between 1978-1981, with fellow poet Bruce Andrews, he published L=A=N=G=U=A=G=E magazine, which became a forum for writing that blurred, confused, and denied the boundary between poetry and critical writing about poetry. Since the 1970s Bernstein has published dozens of books, including poetry and essay collections, pamphlets, translations, collaborations, and libretti. His poetry has been widely anthologized and translated, and it has appeared in over 500 magazines and periodicals. His most recent book is Near/Miss, from the University of Chicago Press.

_

sorbonne université, campus des cordeliers et sorbonne, 12-14 octobre: “jean-marie gleize”, colloque international

Colloque Jean-Marie Gleize

https://cellf.cnrs.fr/colloque/jean-marie-gleize/

Du 12/10/2021 au
14/10/2021
__

12-14 octobre, Sorbonne Université, Campus des Cordeliers et Sorbonne

Organisation : Romain Benini et Laure Michel

Mardi 12 octobre

13h – Accueil des participants et ouverture du colloque

13h30 – Première session : formes
Présidence de séance : Didier Alexandre

Michel Murat (Sorbonne Université) : « Taire Gleize »

Jean-François Puff (CY Cergy Paris Université) : « ‘Musiques de la réduction’. Vers et ligne chez Jean-Marie Gleize »

Christophe Hanna (écrivain) : « écrire concept opaque » (en visio-conférence)

16h00 Pause

16h30 Présentation et projection du film d’Éric Pellet, « Hors la voix » (45’)

Mercredi 13 octobre
9h – Deuxième session : littéralités
Présidence de séance : Olivier Gallet

Benoît Auclerc (Université Lyon3) : « Pauvreté »

Laure Michel (Sorbonne Université) : « Circonstances »

10h30 Pause

11h00 Émilie Frémond (Université Paris 3-Sorbonne Nouvelle) : « Nous n’irons plus au bois. Paysages de la littéralité gleizienne »

Stéphane Baquey (Aix-Marseille Université) : « Prises littérales et diction des lieux dans Tarnac, un acte préparatoire, Le Livre des cabanes et Trouver ici. Reliques & lisières »

12h30 : déjeuner

14h – Troisième session : dialogues
Présidence de séance : Romain Benini

Jean-Pierre Bertrand (Université de Liège, Belgique) : « Dispositif critique : le XIXe siècle de Jean-Marie Gleize »

Marie Frisson (Université Paris 3-Sorbonne Nouvelle/ENS) : « Jean-Marie Gleize, poète lakiste »

Pauline Flepp (Sorbonne Université) : « Traces de Ponge dans l’œuvre de Jean-Marie Gleize »

16h Pause

16h30

Luigi Magno (Università degli Studi Roma Tre, Italie) : « Figurations, actes, sorties. Jean-Marie Gleize lecteur de Denis Roche »

Abigail Lang (Université de Paris) : « Jean-Marie Gleize et Joshua Clover : ‘le son de la poésie et de la commune qui cliquent ensemble’ »

19h – Quatrième session : lectures
Amphithéâtre Michelet (entrée par le 46 rue Saint-Jacques)

Nathalie Quintane, « Occupant un temps sourd »
Florence Pazzottu
Jean-Marie Gleize

Jeudi 14 octobre
9h – Cinquième session : figures, lectures
Présidence de séance : Christelle Reggiani

Nathalie Barberger (Université Lumière Lyon 2) : « Un nuage donc, plutôt que l’azur »

Lionel Cuillé (Washington University, in St Louis, USA) : « Un modèle de figuration poétique : la toupie »

10h30 Pause

11h00 Catherine Soulier (Université Montpellier 3), « Une lecture. La Grille (2016) / « La grille » (2018) »

Vincent Vivès (Université de Valenciennes), « Sans titre (remarques sur Jean-Marie Gleize) »

12h30 déjeuner

14h00 – Sixième session : après
Antoine Hummel (Marseille) : « ‘Poésie, et après ?’ Gleize, Quintane, Tarkos et la poursuite de la poésie »

Cécile Vergez-Sans (Aix-Marseille Université) : « Jean-Marie Gleize et la revue Nioques : ‘Je deviens.’ »

Jérôme Game (écrivain) : « Filmécrire chez J.-M. G., ou d’un montage non-parallèle »

16h30 / Présentation et projection du film de Marion Naccache « Years ago, I was working on a movie… » (40’)

Le colloque est accompagné de l’exposition dans l’amphithéâtre Pasquier de :
Franck Leibovici, « jean-marie gleize : lieux – carte de conversation », impression sur polyester, 90x120cm, 2009.

Amphithéâtre Pasquier, Campus des Cordeliers, 15 rue de l’École de médecine, Paris 6e
Amphithéâtre Michelet, en Sorbonne, 54 rue Saint-Jacques, Paris 5e (à 19h, le 13 octobre)
Accès libre sur inscription auprès des organisateurs :
écrire à laure.michel@sorbonne-universite.fr ou romainbenini@gmail.com

Programme (PDF):
https://cellf.cnrs.fr/wp-content/uploads/2021/09/Colloque-Gleize_programme.pdf
& https://slowforward.files.wordpress.com/2021/10/colloque-gleize_programme.pdf

https://cellf.cnrs.fr/colloque/jean-marie-gleize/

1-4 as g+s+gl / differx. 2021

1 (=1)
objets trouvés – en anglais – dot exe ›transition› objets + trouvés
d’usage pour objets trouvés en context: bureau des objets trouvés.
de “bureau des objets trouvés” en – context … en contexte de “bureau des objets trouvés” en context: vous pouvez contacter le bureau des objets trouvés par objets trouvés – –
un objet trouvé est un bien meuble qui a été perdu par son propriétaire dans un lieu ouvert au public (lieu public, voie publique, commerce, servant véhicule france · en législation française)

2 (=1+g=i)
oggetti trovati – in inglese – dot exe ›transizione› trovati + oggetti
d’uso per oggetti trovati in contesto: ufficio oggetti smarriti.
di “ufficio oggetti smarriti” in – contesto … in contesto di “ufficio oggetti smarriti” in contesto: puoi contattare l’ufficio oggetti smarriti tramite oggetti smarriti – –
un oggetto ritrovato è un bene mobile che è stato smarrito dal suo proprietario in un luogo aperto al pubblico (luogo pubblico, strada pubblica, commercio, adibito a veicolo in francia secondo il diritto francese)

3 (=2+s=s’)
servant trouvés dot smarriti anglais secondo trovati inglese contacter trouvé objets smarriti oggetti trovati objet objets pubblica, bureau pubblico propriétaire in tramite bureau commerce, oggetti puoi contesto trouvés objets strada – contexte été veicolo véhicule française) (luogo bureau en vous ufficio objets luogo oggetto trouvés adibito trouvés objets objets – in in mobile trouvés contesto en d’uso meuble qui par per perdu stato a son di est un de context: en public ouvert è suo oggetti en de in trovati a dal exe un en oggetti diritto in public, en francia di ›transizione› ›transition› objets france francese) al un smarriti contesto: · bureau ufficio pour ufficio bien lieu – il oggetti context: bene trouvés voie – – dot le publique, législation ritrovato l’ufficio oggetti (lieu che proprietario objets des – oggetti trouvés – – des dans un smarriti au contesto: in context d’usage … in smarriti. un par exe des è pubblico, contattare … – smarrito aperto pouvez un oggetti commercio, des – trouvés.

4 (=3+gl=4)

s̸̢̬̥̜̄e̴͉̲͎͊̇r̴̨͕̟͉̦͍̞͉̣͎͝v̸̧̛̩̅̓̔̈̎̅́͑̕ã̷̢̪͉̀̇̐̄̏͌̏̄̃ń̷̛̼͇͈̜̙́̋t̴͙̻͚̲̜͇̄ ̵̧̛͈̗͕͙̮̳̬̘̼̍͒̽̓̕t̷̢̝̟͖͔̥͉̥͙͂̀̈̚͝ŗ̴̤̝̗̼̽́͑o̶̞̟͒͛͋̂̎̄̋̆͒u̷͍̦̯̗̱͐̓̾͒͊̒̂ͅv̷̨̧͈̜̙̹̳͖͌̍̀͆̂̕̕͜͠͝é̵̢̳̺̳̩̮͓̪́̈́s̵̛̝͓͚̲̖͔̦̻̬̖ ̷̧̞͇͓̰̯̬͆̃́́̔͠d̸̨̤̳͈͙̞̮̰̠̅̀͑ö̸̰̫̪͍̍͐̂͊̋̌͆̓͜͝t̷͎̤̰͎̼͈̎̿͒ ̷̲̱̈́̆́̐͋̆̽s̵̫̮̺̻̲̞̙̗͎͌ͅm̷̩̙̻͊ą̴̨̙̝̱͓͆̍̀̿͌͆͝r̵͔̿̾̂̾̿͛̅̾̐͘ŗ̷͓̳̣̭̆͂͆̀í̵̗̟͉̥͖̹̗̮̭̈̽̇͆̍́̚t̶̢̟͇̚i̶͚̙͒ ̷̡̛̈́̌͌̏͝ą̴̙́̌̍̋̆͝͠ͅṅ̸̡̹̦͈̤̹͔̦́͒̄͘̕g̶̨̦̰͙̼͙̝̋̃̒͘͜͜l̷̼͇̜͓̋̅́̇̾̃̇̄̏̚a̵̧̨̤̻̦̙͚̽̒͐̇͋̾̓͌̓i̸͇̠̰̇͋̀̀͗̌̄͜s̴̩͗͐̿̊̏̅̄̿͝͝ ̸̯̃̾̏̐͋̃̎̅̕s̶̡̡̃͂̽͊͝ȩ̵̢̣̳͍͖̜̪̖̺̇͛͛c̸̩͙͚̜̼̀̓̉͒̄̀̈́̚̚͝ö̶͉̝̘̮͈̙̻̜̳́͂̚ͅn̵̩͙̖̣̜̗͎̻̅̌͆͂̀̍͑ͅd̴̛̯̓́̅͆̈́͂o̶͎͖͚̠͖̝̽̋̈́͘ ̷̛̛̝͛̎͑͆́̾ͅt̷͉̞͉̻̥͗r̸̬̹͎͓̺̺̽̌̊͗̂͋o̴̪̙̙̫̤̯̩̅͗̏͋̓̌͌̃͛̚v̴̛̘͍͉͒̋̒̾̋͆á̷̖̹̀t̴͕̖̾̍̉͝i̶̙̩̥̬͎̮͗̅̚ ̶̨͉̹͖͓͇͔̓͜ͅi̴̖̣͕̭̥̣̽́͐͋̈̅̓̇̇̿ͅņ̴̗̋̀̀̄̎͐͊̓ĝ̶̙̖̙̖̫̻͒̌̓́͒̆͠ĺ̷̦̪͔̀͛͛̿̐͒̕̕ė̸̼̻̹͜͝s̶̨̞̣̖͙͕̳̄ĕ̸͉͎̠̲̺͔̞̮̼̜ ̸̭̖͊̃̎͋͒͐č̸̱̒͗̒̿͊̾͐̄ơ̵̗͛̀̇͐̏́̈́n̷̝̦͍̳̰͛̋͗̿́͂̇͝t̶̡̥͔͓̭̼̫̙̙͐͛̊͛̃̉̄͊͊͝a̵̘̱͓̳̺̺̦̯͒̈́͆͊͗̿́̌͜c̶̛̹͔͓ţ̶̢̛̰̮̣̹͔̖̑̽̀͆̾͂͜è̶̮̣̤̜͔͎͔̒̂̀̏̇͆͐́͝ṙ̴̤̱̟͕͑̐̕͜ ̵̧͈͖̦̲̙͌̀͠͝ͅt̸̘̭͋̌́r̶̝̟̓̉͋̚͠ǫ̷̨̛̹̺͈͖͆́̾͜ͅǘ̵̝̰̰̼͆̈́̊̇͜v̷̭̦̈́̒̐͘ę̵̳͚̹́͋̈́͛ ̵̢̹̹̮̳̲̼͇͇̆̽̑̑̆͌̂͠͝ö̵̞̺́̏̐͒̈́̎̌̊ḃ̵̡̡̙̠͇̣̮͐̆͊́̊͒͜j̸̝̎͋̍̋ẽ̶̖̓̒t̶̞̠̎̌͒͂̌̆̊š̴̢͙̮̲̼͌͊̚͝ ̷̱̦͍̇͌̎̎s̷͍̝͔̐͊́͑̇̿͠m̴̜̪̪̖͗ả̶̛̫̳͓̠̲̾͌͆r̸̜͙̻̖̱͋ṙ̸̡̢̥͖̖̥̰̺̜̠̂͋͒̐̇͊͑i̴̳͔̖͕̻̝͚̜̾̀͛̈́͝ͅͅt̸̨̧̢̫͎̦̟̓̽̄i̶̡̯̰͚̅ ̵̢̳̟̯̘̼̲̉͌͐̌̆o̶̧̒͝g̸͖̐̋̽̈̓͝͠͠g̸͍̦͉̑̃͒͒̇͗̔̊̂̐e̷̯̠͖̣̣̜͎͋ͅt̴̛͈̩͕̤̀͆́̆͝ṯ̴̜̻͇̮̊͜ͅi̵̼̍̾̍̈̐͗́̇ ̴̡̺͈̯̩̖̼̼̈́t̶̞̔͛̿̇̈̐̕r̵̡̳̯͖̤̲̘̖̖̘̉̿o̸̜̚v̷̬̠̣͕̭̈́͘a̴̢̖̯͋̓̒͑̀t̸̢̘͓͕̣͎̟͓̱͋͆̄ī̴͚̺̮̖͓̫̪͎͒͜ͅ ̷̰̹͇̍̿̄͘̚͜o̸̢̢̜̟̺̞̣͕̺̙͗b̴̭̹͉̪̘̪̠̮̎͛̉́͝j̵̘͖̜̺̼̝̲̞̃̽̎̑͘͜͝ȩ̶̛͖͈̟̺͋̋̎̌̋̌̄͝t̴̛̬͎̃̄̐̐ ̶̨̰̗̭̼̘̪͙̀ͅö̴̝͈̥̩̉͌b̷̢̖͎̬͉̫̌͐͂͐̍̒͜͝ǰ̵̧̢͉̻̦͘͘e̸̢̱̹̼̹̝̰̊͂̅̂̈͐ţ̷̡̼̼̟̖̥̈́̈́͋̃ͅs̷̖̜͕͈̳̞̾̌̕̚ ̵̡̨̬̟͚͉̺̱̰̓̏̓̇̊͝͠ͅp̸̛̱̖̤̝̼͇̣̹̝̃͆͊̏̒̆̕u̴͇̲͚͉̖͑͆͌͐̎̂͊͜͝ͅb̵͉̝͓̩̘̩̩̤̙̓͗͒̿͒̕͜b̷̡͇͕͕͉͚͇͚͋̈̆̐̾̀͠l̴̛̠̭̲̹̰͎̰̟̲͇̈͌̎̒̈͛̓̓͂i̸̭̝̇̑̎̔̆̊c̸̨̯͎̠̬̞̲͈̺͌̏̄̎͗͑̚͘ͅą̸̫̬͓́,̵̭͉̪̳͎̻̲̣̮̄͗̃̍̿̿̚͝ ̷̢̫͔̗̥̭̫̹̯̅̀̍̓́̎̈̅́ͅb̵̦̰̗͔̝̞̂u̷̱̳̺̫̓ŕ̷͓̮͖̱͉̳̉̉̽͛̑̅͝e̴̟̤̝̣͖͚͍͌̅͂̅͠ą̴͈̫̻̱͕̤̥̑̑̑̄̏̈́̚u̴̟͕̅̎̇̓̃̓͜͠͠ ̷̛̩̩̳̰̌̇͂̈́̂͑̕̕p̸̻͓̥̪̉͗̒̈́̚̕ụ̵̮̹̤̜͚̖̪͙͆̉̄̈́̏̑͆͛̐̈́ͅb̷̢̨͓͖̖͔̥̹̻̦̈̈́̾̍͑͌̂̂͑͝b̴͍̞̣̖̺̘͈̩̉l̷̨͕̫̩͚̱͔͖̟͚͊̋͆͐̋̃̊̾̆̐i̴͖̩̯̿̒c̷͙̞̺͕͆́̄̍͒͊̈ͅò̴̢̗̜̮͕͕̯̹̃̏̉̿ ̴̨̨̦̱̳̗̠͉̫͒̉̈́̈͝ͅp̵̢̩̦̠̬̟̞̑͗̓̓̊͛̚r̶̝̗̞̾̓̅͆̐̋o̶̧̻̟̰̤̯̞̊̓͛̅p̶̡̛̟͖̪̼͔̱̯̐̾́́̇͛̕͜r̷̡̹̱̳̠̯̲̖̰̊̔i̷̡̝̖̼͓̣̭̮̹̠̇̿̿̏͘͠ę̴̗̠̼̹̹́̾̒̔̐̎̉͝ṫ̴̨̢̼̭̣̙̗͌͠a̷̧̢̘̪̩̩̟͇̽͑͋̓̃͑̚ǐ̷̢̨̗̻̘̺͖̗͚͓͋̋͠r̷̛̬̲̙͕̎̈́̄̓̅́̕ê̸̦͗̌̅͛̿̄̔ ̸̨̪͇̖̮̲̱͒͆i̷̧̺̼̫̮͖̲̣͛n̷͚̠̥͍͙̪̓ ̴̰̩͌̅̍̓̒̚͠t̸͇̜̦͇̦̻͌ṙ̷͚̣͇̚a̷̢̢̙̼̘̜̙̓̉̆̅̈͐m̶̲̗̮̫̖̘͈̭̼̗͆͌̀͝͝i̴̞̪͒̾͒̇t̶̡͎͇͕̞̗̙̞̟̥̒̈́̂̈́́̀̔̍e̶̬̾͂ ̴̭͙̮͍͉̃̃̾͋͒́̋̈̾̂b̶̖͖͚̼̮̤͓͈͋ų̸̗͔̗͙̩̪̳̔̚ŕ̶̡̛̺̫̀̑̇̈̀̋̚͝ę̵̨̘̣̦̰̳͎̞̫͒̀̈́̄̊̅͛̕̚̚ă̷͈̗̙̒͆̂̒̇̅͑͠ư̵̞͚͓̜̞̮̝̼̅̇̓̈́̒̌ ̵͚͓͕̖̤͓̿̌̑̉̿́̉͋͝͝c̶̘̑̽̈ö̴͈̹͚̲́̄m̸̩̟̪̝̥͙͕̺̳͆̇m̶̛̛̠̉͊̀͛͗̔̕͝ẽ̸̝͙̳͖̱̙͓͇ŗ̶͇̠̫̻̘̩̌̑̌̒̔̂̽͘ċ̵̨̛͐͌̅̎̚͝e̶̤̫̝͍͗̑̎̉͗̐̔͜,̷̢̛͎͙̯̥̯͔̟̖̯̈́̋̔̏̿ ̵̮̋̓͊̃̅̔́ọ̶̡̧̳̾̑̎͐͑̚g̶̨̲̥̮͇̲̾́̋͐́̾̎̕g̵̼̗̖̑̒̒̊e̶̢͖̠͕̳͍̮̘͙̾͊̽̋̎͠͝t̶̺̥̼͚̜́̾̍̆̓̑̆̂t̴̰̯̥̖̍͐́̉̍̆i̶̡̪̫͖̓̿̊̚ ̷̼̥̋͋̐͝͝p̷̰̮̩͋̋̑͛́̆͝ȗ̷̞̹͌̾̄̅̈͒̍ǫ̸͚̲̬̰̤̲̤̟͒̋ͅi̷̗̘̍͑̅̾ ̸̢̡͖̟̣͔͔͎͈̊͐͊ͅç̷̭͔̞͓̞͒̉̋̈̕ȍ̴̢̦͈̥̖̻̠̈̾͝n̷̹̳̪̼̼͍͑̑̉̇͒̊͐ͅţ̶̛̫̲͗̈́̋̚̕ĕ̸͓̜͙̲̼̝͈͆̚͝s̷̨̢̛̥̞͓̬̰̬͉̣̈͆̇́̀͝t̴̡͍̝͝ò̴̼͍̈́͂͘ ̴̡̦͈͉̆͒̆͘ͅţ̷̛̭͍͙̰͉̗͊̃̂̐̍̉̅̿̚r̵̛̟̣̭̬̯̙̲̖̞̋̔̉̀̌̈́͜o̸̢̧͕͖̪͓͖̻͙͚̓̇̾̏͌̕͝u̴̱̇͌̈̆͠v̴̘̗̀ȩ̸͕̠̟͚̟̞̻̫́̈́̾͐͋̃̕s̴̢̲̰̲͖͐̅͑͆͋̓̓̑͠͠ ̸͙̥̹͇̩͐͌̈́̀͆ō̶̹̩̘͍̤͔͈͓̳͖͋̓͑͗͐̊b̵̦̹̗͔̲̓̐͌͜j̷̡̩̱̥̅͑̽̈́̋̎͘ͅę̴̡̗̙̮͇̿̆̃̀͋̒͊̿̈́͜t̸̞̤̱͋̌s̴̲̺̝̝͉̠͇̖̓͑͊̂̚̕͜ ̴̧̨͚̳̣͙̭̝̣̑̃̿̿̇̔̕͜s̷̛̩͋̌̾́̊̀̿͗͠t̶̬͌̂̏̽͌r̵̨̨̙̮̭̙͎̲͛͛͒̏̉̆̄̓͑̚a̴̧̧͚̩͕͙͎̺̅̐̎͌̒̄̾͜͜ḓ̸͑á̶̖͋̄̽̈́̏͗ ̷̧͔̦͆͌̈́̃̃̑-̸͎̘͍̲̪̗́̾̇̒̕ ̵̢̧̨͔̻̤̣̫̼̝͠č̸͈̯͚͆o̴̡̧͍͎̬̠̮̹͗͜n̸̡͎̟̔̊̍̾̈́́̕͜͠t̷͉̜̥̩͎̥̳͔̿̈́̐̄̎͠e̵̱̟͛̎̓̍̓̈́͜x̴̝̦̿̆̓t̷͓̙͚̦͙̻̑͗̕͜͜ę̴̳̬͍̹̭̟̭̿̄͝ ̵̻̲̅̓é̸͚̮̝͓̞̗̯̮͍̙͆t̸̜̟̔̃̂͆̍é̷̩̽͝ ̵̨̛̯͕̮͕̮͐̽͂̃͜͝v̸̮̞͋̊e̶̡̫͈̳̱̼̗͒͜í̸̻́̕ç̷̮̠̲̻̥̊̌͜͝o̴̐̀̑̾̒̽̄̔̕̕͜l̶̢͎̗̬͎̳͕̥̥̙̊̍̋͋́͗̕o̶̡̥̖̜̘̒̀̌͂ ̶̢̘̻͖͚̱̟͍̚v̶̨͕̹͉̠̘̩̏̉̊́̏͗̇̓͝ȩ̷̝̝͉̬̯̤͎̠̤́͛h̶̳̋̈͒̈́̚ǐ̴̧̱̘̺̰̘͍̻̤̥͐͛c̴̹̟͗͠u̸̢͕̖̱̽͗͋́͒́͛̍̃̕ͅļ̷̼̬̬̝̹͉̲̪̃̊̊͛̃̆͜e̷̲̤̰̰̬͕̺͉͙̅̇͛́̔ ̷̨̧̬̜̗̈́͋f̷̖̘͍̙̻̽̈̏̈́̏̎̍̓̅́r̵̡͊́̄͆̅̔́̚ǎ̷̧̧͙̰̖̻̼̥̣̊̽̅͒̑͘͠ͅn̷̂̂̿̋́̿͛͝͝ͅç̵͉̹͐̿͂̑͐̕ă̶̲̞̲̬̳̍̈̽̇̆͌̈́i̵̖̦͈̜̲̺̤̔̽̐̆͛̒̃̓̔͘s̷̳̠̲̅͌͑͆e̸̡̡̧͓̳̜̝̒͑)̵͔̭̻̍̊̏̏̂̾̃̈̚͠ͅ ̶̮͊͊̀͊̓̅͌(̵͚̰̮̉͗̑̓͝l̴̩̝͕̻͉̻̪̟̃̋̊̾̾̊͑͋̎͘͜ư̸̰͖͎̥͆͌͐͜o̶̢̝̝̰̳̭͈̬͈̍̈́̂́̈́̀͝g̸̼̏́̈́̑̽̐̓̋o̶̼͎̜͈͎̬͈̝̮̎̋̽̋͋̓́͝ ̶̨̨͇͕̬̫̻͛ͅb̴̬͒͒̿̉̏̑̚u̶̱̺͌̄̓̈̉̕̕͜ŕ̸͚͖͐͆̀ė̷̡̦̹̼͙̜̟͚́͂̑̓̒̈́̑̚a̷̧̛̪̗͙̘͋͐̐̅̎͗̕u̵̡̧̡̞͉̱̳͕̲͆̂̽́̊ͅ ̶̧͓̱̝̞̝̺͂̊̾̕͜͝͠͝ͅͅȩ̷̛̺͖̣̤̔̆͜͝ǹ̵̡̫̦͎̟͇͔̯͌̅̅͒͘ ̷̣̙̥̣̰̤͎͐͗́̽̾́͛v̷̛̜̤̍͊̓̐o̶̢̧͉̯͎̫̊́̈́͐͒͆͐̿ù̶͎͙̤̱͉̤̬̓̇̿̈̔͜ś̶̙͖͈͙̼̳̿̈́̒̔͗̄̄̅͜͝ ̶͕̳͍̟̗̏̅͐͆̎̀̉̐̀̋ͅụ̷̬͕̈́͂́͌̎́̔͌̂̚f̴͉̋͗͊̔̂̏̒̀̋f̸̧̦̱̥̱̩̯̰̬͕̈́͂͌̐̿̒i̷̛̛̺̐́͌̾͝č̶̨͇̪̫̟̫͎̬͂̈̉́ḯ̷͔͓̤̞̅̒̄͝o̴̝̩͉̞̎̏̈́͛̅̃́̕͝ ̴͇͈́̃͊͊͆̀͆̚̕o̶̢̹̔͋b̷̘̺̠̙̙͎͑̾͆͒͜ͅj̴̟̪̐̀͒̑͒͊̃̐͠͠e̷̓͝ͅt̷̩͇̳̪̼̠͓̐͛̑̒̈́̌̎͌̀͝s̷̨̩̗̪̮̑̈̃̚ ̴̨̧̨̻̥͙͑̔̄̓̋̽̀͝l̸̠̯͓̯̒͂́́̚ų̷̓̏̒̿̑͑̀̑̈́͠ọ̴̧̬̙̮̙͉̥̖̟̉́̀̂̃͆͘͠g̵͇̪̖̗̥̹̏͜͜ͅo̴͓͚̤̘̿̈́̉̀́̋ ̶͕̌̈͂͊͛̍̂o̵͚̒͠g̷̛̱̙̭̼͍̪̰̘̣̠̉̍͑́͋̒̈́͝g̷̨̛̼̟̠̰͚̙͍̰̗̃͂́̆͝e̶̲͇̬̰͌̍́̒͐ͅt̶̡̧̢̑̑́̔̚t̷̡̢̤͔̞͖͚͔̽̊̾̇̒͝͝͝ò̵̡̜̳̣͈̖͚̞̍̃̈́ ̵̦̩̞̾́t̶̢̫̣̰̻͉̻̑͜r̷̨̡̬̲̯͈͒̌̒̽̌̉͜͝͠͠ȍ̸̧̝̱̫̄̍͋͌̒̂́͝ǘ̸͚͇̥̠̆̂̈́́̏̓͘͠v̸̮̖̻̤̞͈͛̀͜é̴̡̯͖͛͘s̶͇͒̎̇̈́͘ ̷̯͖̘̹̖̑̂͑̏̈́͌͌ȁ̶̢̨̹͔̼̪̣̹̈͒̈̾̃̀͆̓̚d̴̢̧̢̬͖͓̫͈͊̐̐̒̈̈́i̶̞̮̐̍́̓b̴̻̤̥̠͙̟͙͇̗͑̐̉̊̓̉̚͜i̶̧̜̱̙̮̟̦̩̯͊̌̔̌ť̷͕̙̖͔͔̪̏͂̅͊̒̍̾̕͠ò̴͓̟͜ ̷̱̙͇̐̈́̅̍̔̿̄͝ẗ̸͓̠̣̝͇͉̱̯̗́̆́̓̓̈́͜͠͝r̴̖͍͉̽̕ǫ̶͈̩̹̰̬̰̤̀̿͜͝ͅu̵̢͚̫̯̤̥̗͋͆͌̉ṽ̵̞̬͙̗̩̭̱̘͐é̵̥̺͚̄̍̓̈́̈͘ṣ̵̢̡̫̏̈́̏ ̶̻̻̰̝͚̼̜̘̬̯͆̏̀͝o̵̫̦̮̗̯̦̫͉̐̑̃͗̚͠ͅb̵̢͊̈́͊͂̕ĵ̶̨͖̼̝̙̗͚͉̈́̍̌̑͑̐͜e̸̡̱͔͚̠͈͒t̴̡̡̅̒̆̌̾͆̓͠͠s̶̬̪̱̞̩̳̓ ̵̰̞͔̼̫̦̠͉͎̬̌ơ̴̢͖̯̝̱̭̰͉̈́̾̓͘b̵̢̨̛̬͎̟̰͕͌̿̾͆̏̅̊̑͘ͅj̴̨̡͎̤̣̭͚̜̻̔̅̆̋̔̒͘e̵̢̱̰̱̜̤̟̪̾͛͑̀̽̂̽́̌͝ͅt̸̜͙̖̠̯͓͓̫̋̈͝ͅs̵͈̺͜͠͝ ̵̩̙͍͔͓̞̬̈́-̵̖̺̝̺̉̅ ̴̛͕̘̩̃̀̍̊i̴̢͓̬̪̺͌͋̔̒̕̚̕n̸̰͕̞͇̥̆͗ ̵͔́̇ï̸̦̖͔͗̾̈́͑̕n̶͚͈͈̍̈́͗ͅ ̵̧͎͇̟̬̙̹̪̖͇̈̈́̊͌̊m̷̨͔͎͚̗͓͍̜̱͖̀̑̉̄̀̈́̊̌ō̶̬̜͙̩͒̓̚b̸̢̢͓̮̳̙͓̗̿͗ͅͅi̵̧̧̨̛͈̤͉̪͇̠͎͌̏͋̕̚̚l̵̳̭̝͔͆e̶̡̹͓͚̟̭͖͊̅̂̊̓̂̉̊͜͠ ̴̭̳͎͕̞̙̽ṭ̶̩̭̮̹̙̗̏̉͗̔ͅr̴͈̣̀͂́̾̃̊̅͊̈́̓ó̷̡̞̯͉̝͕͈̓̆̆̿̓u̴̢̟̜͔̹̲̘̱̩̿̾̀́̍̕v̶̢͕̳͕͍̓͜͜ͅé̶͔̘̼̗͓̻͆͐s̴̖̪̓͆̋͌͘͠͝͝ ̸̼̮̭̪̜̥̗͛̈́͋͛̆̃̉͠c̵̞̱̺̑̌̅͌̆͗͜ộ̷̻̞̘̤̫͓̤̲̈́̕ͅn̶̨̡̛̫̳̼̫̿͐̀̔͆̈́̓̕̕t̴̢̝̠̯͎̯̹̮͙̀͒̏͛ͅę̸̭͔̦̗̩̣̌̎́́͒͑́̈̕ṡ̵̢̩͓̯̭̘̙͉̔͐̈̽̓͋̔̚t̵͍̫̤̦̮̮̀͑̓̌͆̂̇̍̋͠o̶͖͑̄̓ ̸͓̳͑̿͋̽͗ͅͅę̸̜̗͋͛̐̓̊̕͜n̵͈̘̘̓̑̄̒̏̚͝ ̴̮̬̦̉ͅd̸̖̠̻̝̘̣͂͊͌͐̑͒͘͝ͅ’̷̛͕͙͓̼̣̂̏̈́͠ų̸̢̘̤̤̮̜͓̑̆͛̀̿̿̈͗̚͝s̸̡̘̦͎̪̘͇̮̦̳̋̓͑͐̓̚͝o̷͎̪̅̆͋͘ͅ ̶̢̺̦̈̃͆͗́̍̈́̅͠͝m̸̧̡͙̰̗̲̤͙͑͒̌̓͊̓̓̓̀́ë̵̛̛̝̮͙͍̤̘́̋͆u̵̩̗͙̠͚̗̓̋̔b̸̘̔l̵̖̇͗͌́̓ḙ̴̡͉̈́ ̷̲͈͚͙̦̳̪̿̚̕͜q̷͕̜̥͈̼͍̪͛̓ũ̷̡̼̮ḯ̷̛̮̜̯̬̱̲͑̂̃̊̓ ̶̣̹̪͍̬̮̟͍̼͑͜͝p̵̧̹̱͚̋͗͂̀͋̐̍͊͗́a̷̘̳̩̠̥̲̖̗͙͌̋̊͊̌́͛r̵̡͔̹̹͋̕͠ ̵̢̥̺̣̖̇͋̏̔͘p̴̼͕͚̠̼̭̍̀̐̀̈́̿͝͝e̸̦̞̫̟͖͆ȓ̵͔̫̃̿͑̕͝ ̵̠͛p̶̰͇̘̼̦̭͕͈̗̒̈́͑́̀̒̇̏è̵̡̥̗͕̪̱̻r̸̢̩̤̰̳͈͈̗̜̊̃͂͌ď̴̨̳̮̪̭̯͈͐͛̈́͐͗͝͝u̸̪̮̻̩̟̩̙͕̠͋͛́͂̈́́̇ ̴͉̯̎̊̊̊̓̐̄͜s̸̢̧̜̰̦͙̖͒̓̓̏̀͌̚ͅt̵͇͎̹̲͇͔̗̊̀͗̄͗́̍ą̷͇̦̮͉̲̳̅͗̍͘t̸̨̡̖̖͎͈͔͓͙̦̃͒̐̎̎̿́͆͝o̴̥͋̀̈́̍̈̈̚̕͝ ̸̧̢̨̬͓͚̗̎͒͌̾̆̍́͑͜͝͝a̴̢̧̮̙̦͉̞̞͈̠̽͊̀͛̈́̽̀͐͘ ̷͚̥̝̞̺̥̾̅͐̈́̓̾̈́̚͠s̷̢̨̛̭̬̪̠̹̻͚̘̾̃̋̃́̇́̈́̍o̵̺̲̟̣̜̰̮̊͑̿͜͝ņ̴̝̼̥͕̯͈̝͖̥̀ ̶̻͙̭̥̟͌͠d̷͙̙̲͐̏͗̇̆̇͌͘͘ì̵̛̻̠͗͗ ̸͉̪̳͕͐̕e̴̢̩̞̩̺͎͔̭͔̽͆͝s̸͈̈̋̆̀̈̓̚͠t̷̨̰̠̜͙̝̜̊͋͂̓̈́͘̕͘͝ ̶̝̫̫̻͙̋͛̿͛̀͗̍ṵ̷̭̰̟̣͕̑̀͌̈̑́͊̐͠n̶̙̞̩̞̣͒͐̇̑ ̸̹̟̤̳͉͂͊͑̀̒͋̊͝ḓ̵̡̢̼̜̯͖͍̣̊͛̌̽́̚̕ȇ̴̻̲̖̖̠͆ ̷̗̄͗̑̾̐̔̓͐̕͝c̷̩͛̍̚ǫ̴̬͕̰͎͌͗̿͂̿̚ń̴̨̥͎t̸̹͛͛̓̊̿e̶̢̧̻͎͈̪̩̞̩̾̓͊̉̏̅̌̀͑͝x̶̢͔̤͎͕́͊̔ͅt̵͕̜̬̄͂:̷̨͕͍̝̬̅͐̇̈́̇̋͆ ̷͇͈͎̮͖̥̼̞̺̊͛͗͛̊́e̵̢̨̡̯̘̥͇̥͋͜n̸͚̽ ̸̛̠͙̙̫̙̮̍͋͊̊̉p̸͈͚̯̦̩͎͕̟̃̊ͅu̷͚̬͕̲̙̻͑̿̏̓͆̾̿̕͝b̸̡̗̦̮̠̰̥̌͋̕l̴̨̜̼̥̬̜͇̪̺̎̒͒̚͜ỉ̶͓͗̂̊̉͂̄c̴͈̪̯̋̐͋ ̴̘̳̙̮̪͍̫̖̗̖̉͂̓̃͊̕o̸͖͎̖̻͋͆u̶̢̘͙̥̬̹̯̠̦̖̓̊v̷̹͖̻̗̱̣̗̪̦́̉͗ȩ̶͙̋̅̐̿̋̄̀͝͝r̷͓̰̫͈̋̓̈̂͂̊̃͛̓̀t̵̢̩̻͎͎̘̳̖̦̍ ̵͍͔͉̪͙͎̒̇̀̏̈́̌̿̈ę̶̬̝͔̭̀̃̌͐̋ ̴̥̪͓̠̮̑̓̉̒͑̊̔͒š̷̭̀͛͛͒̃͝ú̷͈̼̄̐͐̔̀̄ȍ̴͔͓̐̃̊͠ ̴͍̖͙̩̰͔̺̼̫͋̇͂̽ō̷̦̘̐ģ̴̬̼͍̹̭̰̬͖̇̍̔̚̚̚g̴͔̮̰̤̾͌͒́̿̌͐̉͌̚e̴͚͓̎̉͑̍̓͑t̷̢̢̙̘͕͕̬͎̮͎̏͒̇̽̆̈͐̅̚͝ţ̴͓̦̠̰̫̈́͜i̸̧̛͇͍̻̜̋͋͜ ̸̹̘͎̥̙̗͙̘̻̆ḛ̴̤͚͙̰̼̪͐͊͑͑̾͛͘͠ͅṋ̵̙̻͕̳̹̳͉͉̠̋̽̽ ̶̦͕͍͇̭̳͈̠̪̰̐ḑ̶̲̤͎̺̬̳̿̑͜ę̵̡͕̭͚͙̬̼̟̯̀̉̈́̌̎̓̓͌͠ ̴͇̹͓̥̺̟́̎͛í̶̼̅͋͂n̴͔̖̬̩̞̠̽̈́ ̴̛̲͇͙͋͆̇̔̐́͝͝t̴̛̩̰̩̥̬̰͛̊̓́́̾̎r̵̺͆̑͠ŏ̴̝̜̗͒͑͐v̴͉̙̯̿ả̵̖̅̔̑͝t̸͓̞͎͈̩͂̍̈̂̃̔͐͊̏i̵̡͈͊̂̎̓̉̓̚ ̷̢̛̗̞̲̮͙̦̮̊͐͂̉̚ā̴̢̺͓͎͉͔̼̅͜ͅ ̷̧͚̫̙͍̼̔́͠d̸̡͙͉̹̹̞̯͌͜ą̶̛̙͚̙̣̙͔̟͂̌l̴̤͇̦̳͈̣͋̆̑̀ ̶̝̀͆̑̄͐͐͝e̶͕̜͌͗̑̅̓̉͠͝͝ẍ̸̧̗̝͈̥̦̖͕̉̈̓͝e̵̬͎͙̤̞̳̹͍͋̌͑̽͂ ̶̨͔̖̰̟̰͍͎̝͗͂͒̊́ŭ̴̧̻̜̥͓̯n̷̨̂́̈̐̃̇͛̕ ̴͕̥̄̈̔ẹ̴͙͑̑̂̀̈́n̴̯̍ ̷̳̰̪͙̯̣̮̬̬͉̍̀͑ọ̶̳͇͈̓̿̽̃́̆̚͝g̸͇̜͕̹͖̯͑͂̿̍̆̆̈́̈̕̕g̵̮̝͛̓̾̓͑͘̚̕é̷̹̳̥̬̻̏́͗̚͘t̴̻̬̳̗̪̤̆̈́ͅt̸̢͇̯̻̪̟́̑͊̓̊̓͝į̵̛̏̋̄͐ ̶̨̧̛̠͇̱̮̭̈́̔̍͊͒̕d̸̩͖͇͕̻̼͍̻̰̻̔́̃͝i̶̼͎͉͍̜̩̗͇̪͊r̸̺͈̺̼̈́̂̇̊̃̓̓̈͘ì̷̜̣͓͕͍͍̅̇̿̉̊̀͐̌t̵͓̦̖̩͈͌̒͐͐͜t̶̖̘̳̱͖͎̓͋̐̍o̸̧̱̣̼̣̙̾̈́̊̌̆ ̷͍͂͝į̴̨͕̙͈̼̫̥̈͒͐̆n̷̙͓͉̭̪͚͔̩͛̈͗͌̓̚̚̚͝ ̶̡̘͕̾͛̈́̅̇͐̀̓͘p̷̢̰̣̙̽ú̶̡̼̹̬̩̜̍̒̂͒́͠b̷̡̮̪͉̐̈̐͌̂ͅl̸̫͇̜͔̗͈̉̎̑͋͛͌į̶̡̧̧̙͍̳̲̏́̉̍̑̐̃̚͝ć̸̔̃̀̏͆ͅ,̴̢̛̝̒ ̶͇̮̊̀͌͝ȇ̸͇̟̙̜̲͕̰̉̔̍̋̂n̴̢̪̟̞͚̯̺͎͛̍̈́̉̄̋͋̄̒͝ ̶̨̹͔͔̺͕̪̦̊̓̅̌͜ͅf̸̧̧̼͇̻͔͔̐̚r̷̡̫̰̺̹̜͚̠̅ͅâ̷̼̗̝̮͍̱̍̄̈́̃̉n̶̘͔͋̑̍́̀̃̈́͑͘͘ć̵̗͑̍͘ĩ̵̛̺̰̣̰͎̀ą̸͔̥̝̜̳͎̔̄̃̑̂̿̚̕͝ ̷̡͇̤̮͆͐̊̒͠d̸̮͔̞̲͈͍̩͖̫̗̀î̶͖̰͍̥̖̜̟̈͌̒̄̍̍͠͠ ̸̢̞͇͛̏̿›̸͚͕̪͂t̶̨̨̩̘̖̣̪̓̍͂̀̓̀́̒͗͂ŗ̸̩̮̭͎̗̖̈͜á̵͙̙̻̂̎̑͒̓ņ̵̝͍̣̦̮̠͕̞̥̾̊s̴̨̥̬͔̩̘̙̠̉͐̐̏̈́̊̍͜ï̷̺͉̋̅̓̈́̏z̶̳̥̆i̶̱̗͒̄̚͘ȏ̷͍͉̯̊͆̕ņ̷̧̛̲̘̺̤̪̞̓̔̈́͒̓̎͜͝͝͝e̸̺̮̻̓̔͒͒͘ͅ›̴͚̗̥̬̎̏̈ ̶̛̟̳̃͂̾͌̈́͝›̷̫̖̹̩̪̫̋̈́͘t̷̰̬̙̞͎͇͈̫̗̊̔̋̾͛͗̎̄̋ṙ̴͎͇̖̖̏̿̅͆̐̓̈̌̚a̸̛̞͛̾͊̀̈́̓̈͘̚n̵̛͇͖̜͖̘̣͕̜̊̃͐̾̆͐͂͝ş̶̧͖̭̭͂͑̇̏̇i̵͍̜̰̯̥͍̺͈͋͐̈́̐̓͠t̴̘̯̟͓͖̯͕̾̐̔̉͝͝í̷̪͕̪̝̣̳͖̤̙̀͜͝ŏ̸̘͖́͗̆͆̎͗͋n̶̢̧̛̘̬̱̠̗͑͂͊̽̑ͅͅ›̴̡̢͇̠̜̠̪̎͆̇ͅ ̶̧̼̳̥̻̗̳̲̓̀͋ǫ̶͙͒̽͛̈̀̈͠b̵̝͓̮̫̊j̶͎̮͔̼̟̤̀̀̓͒͆̾̿̒͝e̵͖̝̽t̷̤̅͆̒͆͠s̷͚̥̜͙̝̗͉̀͌̓͑̌̃̕̚ ̷̨̨̖͍̝̬̊̑͑̾̌̅͘ͅf̸̛̥͎̮̒̈̇̈́̈́̏͜r̸̙̓̉̈́a̶̧̤̟̘̪̖̔͊̇̅̓͝ń̵̢͗̉̆̾͒̀͠č̷̨̗̩̙̍͊̉̃̚ḙ̴̺̙͎̩̳̖̋͂̈́̎̚ͅ ̴̖͓̺̥̝̣̠̇̆̏̈̑̓̓͝f̶̡̱͍͔͚̱̙̑̓̑̉̈̈̏̓̚͝r̴̛̹̙̓̽̈́̔ͅǎ̵̙̀̿n̶͎̝̄͑̀̈́c̷̜͓̾͑̅̅̑̏͊͒̂̕e̸̡͎̜̼̯̾̉̏̈͊̊̇̏̕s̴͍͈̰̘̞̅̀̄̾ȇ̷̦̖̞̜̏͊̈́̒͂̒)̸̫̞͉̈́̄ ̷̥͔͉͔̼̰͇̘̋͗͗̊̿́͠a̵͙͐́͝l̷̪̤̊͐͐̄̚ ̸̥̘̯̋͊̈́͘ų̶̡̗̈́͆̽̌̈́̕͝n̴̥͙̠̈͌̃ ̸̨̢̣̦̮̫̹͍̣̃͘͜͝s̵͚̱̤̖̲̈́́̒́̽̓̂̓̚̚m̷̞̮̘̫̣̼̱͆̈́͌̑͜͠á̴̮͖̍͆̿́̕ŗ̸̹̦̪̳̫̉̏͛͌r̷̯̝̤̙͇̬͉̲̿͊ḯ̵̝̖̤̪̙̲̼̼̍̀̂̓̈́̓̀̕t̴̮͌̓̒͒̓͛̇̕͜i̶̺͌̇̏̈́͋̄̂̕͘ ̷̘̔͆́c̸̡̡͉̍ͅǒ̴͉̞̜̼̩̮̖̘͂̋͆͆̓͑̚͜͠n̶̛̻̞͈̐̈͛̂͒̂͒̚t̵̳̝̄͆́͋͂̓̄̿̿e̴͖̎͒͋́͗͝s̷͙͗̇̍͌́̓͗͆͠͝t̷̘̳̼̰͂̆͊͒͑͋͝ő̷̘̬̖̣͍̓̀̐͠͠:̵̡̨̡̮̥̳̪̘̥̫̿͒̌ ̸͖̩̞̝̫̒̀̏̾̊́͆͜ͅͅ·̷͈̝̬̳̰̘̥̽̾̀̈́͝ͅ ̸̢͈̃́̓͛̀̕̕b̷̛̛̟̪̳̟̊̏͆̂͊͒͗̊͜ų̶̨̛̞̘͔̗͕͍͂̑̿̀̌̄́͠r̷̬̳̳͖͓̙͚̺̲͎̔̀̈́̀̀ȩ̶̭̤̮̫̩̱͒ā̵̡̻̟͉͖͍̲̑̀́̂͋͝͠u̷̖̘͓̪̤̐ ̴̢̯̗͕̲͚͔̣̆͝ų̵͓̮͙̳͇̪̬̗̈́͛̓̐̄̌͊̚f̵̙̄͋̀̌̒̏̐͝͠f̷̰͍̦͎̼̗̼̗̼̾̈̈́͌̑͠į̸̛̜̖͎̲̰̥̱̮̦̐͒̅̀̿̐̕̚͠c̷͍͔̟̥͈̦̍̍̉̑͒͂ͅỉ̸͎̰͇͌̓͝ó̴̧̨̝̜͍̣͇̔̆͐̐̿͊̃͝ ̶̥͓̖̦̗̆̊͝͝ͅp̶̘͓̤̪͓͙̎͐ȯ̴̖̘̞̫͇͎̊̂ȕ̷͖͛͌͜ř̴̟̜̻̙͈̭̃̿̈́̉̏̓̌̐ ̶̲͈͍̪͎͓̘́ṷ̷̘̥͐̒͂̿̈́́̒͝f̶̢̞̘̮̫̪̫̬̲̐̋̐̏͊̚͝͝f̶̻̩̜̪̼̣̹̞͎̯̀͊̚ĭ̴͍̃č̵̨̢͕̮̟̻͕͌͌͌͋̏̓i̴̢͒̋̒̄̎͐̋́̉͆o̸̭̞̜͙͋̽͋́̋͜͝ ̶̗͖͎͙̉̇̈̆̔b̵͉͇̤̈i̷̧̡̭̰̺̤̫̲̞͓͐̀́̕͝e̶̛̤̩͇̾n̶̢̾̓̂͋̒̅̽̅̕͝ ̷̝̜̏͒͛̓̂̄̇̅̀ͅĺ̵͈̤͙̞̜̠̦̻̯̌̈́í̸̛̪͚̺̈́͊͒͑̈̆̒͜e̸̙͛́͑̑́͐̅̈́ṷ̷̡̜̞̰̟̌̌͒͝ͅ ̶̨͖͓̟̑̊̂̿̃͝-̴͉͇͙̗̹̯͇̹̮̀͌̽͛͝ ̵̢̢̙̰̬͍̫̽̎̎͆̍͊͑̈͠i̴̙̫̠̖̝͕͋ͅl̴̝͇̭̠̒̓̅̈́ ̶̡̙͈͓͔͍̠̯̂͐̇̑̔ớ̵̗̞̟̙̼̻̩̭͐̋̓͝g̵̛̝̬͍̟̍̎͌͌͆͌̈́ͅg̵̨̛̖̰̝̩̊͛̓͘ẹ̵̦͓̹̀̉̒t̸̬̦̻̻͗͐̽t̸̡̡̞̼͇͂̒̈́̆͝͝î̸̦́̏̍ ̴̢̧͙̘͇̓̂̔͋͛͐͐̓̓͜c̶̖͓̲͖͌͆̄̆̅̓̈͝o̷̝̘̪̜͋̆͂̍̄ņ̸̧̤̞̞̲͖̈̾̃̑͐͝t̵͉̙͓̋̓̓̾̚͝é̷̛̲̺̹͊́̋̔̏͛̚͘x̵̭̯̜̒̆͒̄̑̊̓͝t̴̞̺̎͊:̴̗̗̟̈̌̾͗̍̎̾̎͜ ̷̠̗̝̹̹̮̯̀̎̑́̓̊̀̈́̈́̇ͅb̵̧̛̩̤͎̈̃̋͗͗͘ȅ̴̡̧̨̻̻͈͓̺̤̀̏̽̓͜͝ṉ̷̣̪̟̟̤̖̏͆ę̷̪͇͕̻̦̖̠̫̔̿̆̃̓̔͐͝ ̷̲̱̘͍̠̤̾͊̈̿t̶̛̰͇̣̆̆̉̓̀̐̂̒r̷̢͚̠̦̞̔ò̸̉̓̓̄͜͜ü̸̡̻̞̲͂̾̈́͐̈́̌̽v̴̢̨̬͇͚̖̫̊͛̌é̶̛̛̙̖̫̻̪̊́̿͒̚ş̶̠͓̯̈́̀͘ ̸̡̢̩͕͚̯̩̾̃̋v̴̺̄̏͋͂̿̅o̴̢̲̲͕͖̳̎̋͂́͐̈́́̏̑͐͜i̷̖̹̰͓̹̗̩͉̬̽̐̓͜e̸̦̭͙͗̍̐̃͗̔̇͠ ̵͍͙̇-̶̞̘̠̲̤͍̠̍̉̿̀͛̃̋̕͜͜ ̸̢̼̫̺͙͂-̸̞̱͎͖́ ̷̻̙̩̉̑͒͐d̸͕̭̂͂͝o̷̢̧̜̭̼͚̪͔̰͒̋͂̒̀͆͠͠ẗ̷̬͓̠́͗̊̃̀̄͐ ̴̛̹͓̹͉̏̾͆̇̇̃ĺ̷̛̼̤̥̗̗̝͎̓̈́̾̉͆e̶͔̬͈̟͕̫̰͌ ̵͎̜̠̙̻̈́͂͗̓̿̌̋̊̽͆p̵̰͖͎̜͉̖͈͓̿͛͝ů̶̦̱̠̬͚̐̚͘͜ͅb̸̦̰̼̟͖͙͔͕̩͚̎̅́̊͛͌͆̽̂̕l̷̼̝̼͍͔̼̺̬̝̃̋̓͠ì̸̡̛̜̥̮͊̑́̈͗͆̀̚͜q̵̻͓̰̟͊͗͛̉͐ư̷̦̩͙̬͉͓͗̀͗͝ḛ̶̂,̵̪̮̝̞̄͐́̉͋͊ ̸͚̃͒͊͑̓̔͋̈́͠l̷̙̰͓̱̭̮͆̎̈́͛̇̏̌̓̀͝ͅé̴̖́̒ͅg̷̢̥̳͉̣͂ͅį̶͕̺̠̳̙͙͔͉̃͂͋̈́͗͝s̷̺̠͙̜̦̓̈́ĺ̸̯͖͎̯͓̪́̔͋̃͂͋̈͑a̶̡̩̺̠̲̹̫͊t̶̳͍͉͕̯̣̜͊̑̅͌̌́̋i̶̬̩̦̹̲͙͋͘ơ̸͉͕̮̣͍͖̆͛́͒̔̓̂n̸̩̣̟̬̯͚͒̈̔̀̑͌̉͗̓̕ ̷̡̱͖̳̳͙̪̄̀r̸̮̯̿̀͐̇̕͝ͅi̷̢͇̰̘̮̬̯͋́͌̓͗͝͝ţ̶̢̛̛̘͉̝̩͓̑̈͒̆̍̈́̈́͠ͅr̷̢͈̫̫̭̟̪̜̟͐̑͜ǒ̶̗̼̫͉͗v̸̢͓͙͈̥̣͉̦̼̏à̶̬̀̈͑̔͘͝t̵̡͚͕̱̀̓̾̈́̑̇͐͝o̴̙͇̽͂͒͊̆̍̀̇͘ ̸̘̼̿̌̅̄̀̂͌̅̿̍l̵̢̡̗̟̲̱͔̣̃͛͝’̷̠͙̍̓̇̇̑̽̕u̷̧̧̯̯͉̱͚̗̙̳͋̇͘f̴̢̞̗̭̺̬̻̪͉̽̂͂̏̀͘f̸̢̨̨̼͔͖͔̹̟̥̈́͒́̀̈́͘͘͝i̴̛̮̖̘͓͑͌̐̇̂͗̀͠͝c̷̼̼̐͛̚ī̶͎́̀̈́͑̾̋̕͝ȯ̶̪͇̼̻̱̖͎͉̳̓ ̸̢̤̤̲͍̈́͗̅̈́̿͆͆ő̶͎͆͊́̽́̐̕̚g̶͎̜̱̍̏̐͗ģ̷̱͍̝̾͗e̶̲͎̋͑̓̍͂͆͛͜t̷̨̩̞̊̑͊̇͑͐̀̈́̏t̴̡̮̟̤͚̟̺͓̀̒̇̒ì̸͖̟͖̐̉̽͝͝ ̶̱̱͓̱̮̦̱̙͓̑̈́ͅ(̷̢̝̱͒̀̈́̅̀ļ̷̹͉̳͈͖̏͑̀̇̏͗̓̋̍̎į̵̤̩̬̫͍̯̙̭͌̊́͑ͅe̶̯̙̬͉͛̆͌̿̈́̇̈́̕u̵͙̲͓̻̜̰̯͊̌̌͑̂̊͗̊̅͝ ̶͔̲͉̺͊c̵̖̿̇̉̆̓͝h̸̥͔̰͐ẻ̶͖̺̩͇͉͍͉̂͘ ̶͍̮̭̺̣̎̿́͒̆̋͠p̸͕̦̺̎̅̓̑̉̀͗̽ŗ̸̪̞̱̟̤̜̬͝ò̵̝̞̫͎̙̰̃̄p̴̺͆̍̊̓r̸̺̼̥̓̈́̓͆͋̈́i̷͖̺̠͈̍͂͊̈́̀̊ē̸̙̠͓̗͖̩̲̗͓͋̆̓̐̓̌̀t̸͔̳̰̤̓a̶̺̱͔̳͆͂̏́ͅr̸̯̟̗̋̎̍̀̀̉i̵̢̻̱̹̺̟̼͙̰͋ͅo̸̢̙̞̤̣̰͙͈͖̥̎͆̀͒͗͋̇ ̶̠̠̻͇͉̥̠̑̈́o̷̦̙̟̱͓͉͑̒̒̋̐͂̓̚͝b̸̭̖̻̮̹̥̪̟͖̭̓̈j̸̺̘̥̯̙̻̀̽̐͗e̶̪̩̜͓͉͈̙̥̖͂̏̈́͐̈̈́͐͛̋t̶͇͇̺̟̱̱͕̬̂̂͊͆̃s̸̪͈̀̀̚ ̷̰͔̹̻̻̉̈̓d̷̯̝̥̥̼̦̮̈́e̷̺̘̬̦̟̿̂̑͆̈́́͆̒̐s̵̨̠̭̓̅́͋̆̊̿͘͝ ̵̨̺͔̯͙͔̘̻̙̹͊͌̀͘-̸̡̫̼͓̻̰͍͙͖̜̽̃́̃̀̎̏́ ̷̡̖͈͍̻̠̰̽̔̾̕ǫ̶̰̼͖̠̣͚̩͉̓̅̄̈̆̐̏͗͒̕ǵ̶̨̺̞̩̪̪̒̒́͗̌̋̎g̸̨̨̨̗͂͊͜͜e̵̹͚͎̪̦͚̫͙͖͑t̵͎̬͈͈̄́̍̚͜͝t̷̢̨̰̙͈̪̼̝͇͈́́̄͂̈́̈́͝ỉ̴̡̗̤͇̝̯͍̳͗̈́͠ ̴̨̨͙̩̺̖̄̎̿̎̓̕t̸̜̭͂̊̐̆̋͂͐ͅr̵̥͖͓̬̟̹̱̂̈́̓̎̂͆̅̌̈́̕o̷̤͕̼͍̼̓͊̽͂͆̅̏̽̃͜ű̷͙̯̝͆͗̈́͑̃͝v̷̫͈͛͒͆é̵̛̯̝̇̇̊̒̈͑̓͒s̵̫̯̱͚̲͓͓̑ ̷̢͇͇̪͓̙̼͓͐̇ͅ-̶͖͎̬̥̥͓̘̄̿͗͘̚ ̵͙͖͆̅͌̌̈́̈́-̶̗̮̗͌̓̎̿̈́͑ ̷̨̛̭̭̱̰̼̖̪͔͐̅̿̄̆̉ͅd̵͓̥̯̍́̃͋̄̋̎͑̎e̶̹͕͓̭̫̫͚̓͋̈́̍͋́̓̀͌s̷͓̹̹̳̬̭̖͓̰̏̿͑̀̒̌̈́̄͑͊͜ ̵͕̱͇̔̒̍͂̈̏̉̄͑̋ḍ̷̟̙̥͈̻͔̹̿̇̂̔͘͜a̸̡͈̘͖̰̤̞͚͑̿͗̿ͅn̶̘̱̥̾̋̚͠s̷̛͖͉͚̫͉̤͈̘̅̆̋͗̓͝ͅ ̴̢̝͔̦̍̐͐̄̈́̽͊́u̸͚͉͎͂͌͑̀̌̐̚͠͠n̶͔̘͚̙̻̯̣̹̝͊̀͜ ̴͖̯͕͇͎̲̹̝̹͂̎̓͆͊̓̈̓s̶͍͎̯͇̑̾̂̆̕m̵̡͈̭͚̤̓́̆̉́̕͘a̵͚͈͔̪̱̬͋͗̊̎̐͝r̸̡̻̰͎̮̀̒͑͂̏́̈́̂̈́r̴̰̟̮̳̣̪͉͊̎͒͌̾̍̈́̓͛͊ͅi̸͔̩̅̃̿̅̎̂́͠t̵̢̢͕̥̘̲̦̼̋̌͒̓̔̿͘ḭ̵̧̪̫̙̗̯̝̿͛ ̵̧͚̱̬̣̟̟̃̾̀̕͜͝ą̸̥͍͍̲̤̘̳̠͙̓̐͂̀ư̷̗̺̆̐̽̈̄̀̃͝ͅ ̷̧̗̳̜̩̦͒̐̐̈́̚c̴̡͉̲͙̠̯͎̤̏̌̊̾̓̆̚̕o̵̟̙͙͖̻̻̍̓n̸͓̭̈́̌́̑ṱ̵̱̭͙̤̔̔̊e̸̫̬̊́̚̚s̷̡͙̻͖͗̽͝t̴̨̰̠̂̐̚ȍ̶͈̩́̄͑̈́͗̃͝ͅ:̸͍̖̘̥̞̬̻͖̼̌̊̽́̚͘ ̴͙̫̗̰͚̓̎̑̇̕̚i̸̡̪͔̰̲̼͓̊n̶̮̳̣̻̫̖̩̳͝ ̷̯̜̪̰̺͕͔̗̾̈̾͠c̸̨̡͔͔̉̕o̶͈͇͖̣̖̲̔̈́̈́̿͑͋̍̈́͠͝n̶̳̙̯̙̚͜ͅt̶̟̳̥̄̽̈́̆̃͑͜ë̴̜̣́̉̕͜͠x̴̨̫̠͚̖̺͓̯̄̅͂t̴̢̗͕͕͉̣͈͌̅̀̓̓̋̚ ̸̙̲̲̎̍͗͆̔̉d̷̨͋͗̽̄͂͌̿̃’̶̡͔̇̾́̏̕͝ư̴̡̨̙͔̜̼͓̘̦̭͗̍̅̆̄͠͝s̷͙͖̟͍͕͈̯̈̉̄͐͜a̸͕̐̈́͑̿͆̔ģ̶̯̝̀͌̅͒͆̎̋͝e̶̢͉̩̤͔͍̐̀́̈́͂̍ͅ ̵͖̠͎̺̳̀̽͊̎͂.̸͓͓͇̇͊̂̊͑͒̈́̿͘ͅ.̷͓̪̹̗̱̠͉̔̐͑̋͘.̵̬͍̗̺͎͂̐̽͑̈̿̒̑̀ ̸̢̧̺͈̗͚̬̯̑͠͝i̴̡̯̲͕͖̯̞̣̤͚̒n̷̘̭͙̪̩͓̑͋̃̑͜ ̶̗̩̟͎͍̬̻͇̑̀̐̏̾̒͋̚ͅș̴̤͗̑̅̿͋͠m̶̟͈͑̊̊̇̀̇̆̎̈́̃ͅạ̶̙̞̤̟͔̬̪̟̠́̄̈́̓͑͘r̷̨̝̠͇͓͒̾̀̄r̸̤͙̤̦̿̔͑̑͋͑̐̋͠i̶͍̦͔̳̼̺̯̥̭̽ṫ̷̨̡̛̤̤̭̮̹̻͎̿̄̍í̸̡͙̞͙̈́̍͛͗̈.̵̢̹̑̌͛̃͌̈́̅̓̽ ̶̲͙̱̰͑̆ǘ̴͔̗͔̥̫͔̦̳́̔̈́́͒͊̾̏͜͝n̸̡̛̙͖̺͚̰̍̒̅̎͜ ̴̝̩͚͓̩̺̲̦̞͑̄̿̍́͆͐̓̐p̶̗̮̪̑̾͐̈́̋͑̿͌̕a̴̜͚̩͋͝͝r̴̟̦̗͔̒̍̌͋̌͘ͅ ̵̡̭̫͓̲̮͎̪̊͐̅̓̉͜e̴͎̮͈̝̭̣͗͐̌̌̄̈́x̸̮̥̝̫͍̟̯̥̅͌͒́̃̾̀̿̓͜ͅe̴͕̗̼̲͉̖̫̯̪̭͊̈͌̈͊͌̎́̕̚ ̵̨̝̀́̾̒͆̀͐͝͝ͅd̴̨̛̙̼̲̤͕̯̤̜͖͐̾̾͗̏̅̔̍ē̷̘̻̻̘͌̄̑̏̎ͅs̷̡͎̠̰͕̺͕̳̜̭̈̿ ̴̢̛̜̗̮̣͖̩͗̽̓͝è̶̦̠͙͖͐̾͝ ̶̢̢̢͙͙̞̩̟͈͉̃̿̔͐̐͂̽͑p̸̗͓͇̪͕̝̬͕̑̎̋̑͜u̶̧̳̫͆͒̽̌̏́b̵̛͎͎̅͗͋̿̋͋b̴͕͓̪͙͇̲̦̃̄̌l̶̛̙͇̮̪̀̀͐̚ī̵̧͉̩̺̱̗͚͔̱͑͠ͅc̶̭͚̠͕͎̹̻̍̈́͋̈́̊̈́ö̶̙̜̤̰̪̦̬́̀̔͂,̴̧̣̩͖̙̮̤͉͎̔̓̍͊̽ͅ ̷̦̬͛͐̓̎c̷̯͂͒ơ̵̬̅̏̽͗̍̇̽͛ň̴̡̬͎̟͌̋̀̀ṭ̶̘̟̜̄́̀ͅà̸̟̈́t̶͖̔̀͒͊̀̐̕t̷̥̝̪̰̲̣̫̆́̒̅̚͝ấ̴̩̥̼̫̳̓̌͛͒r̶̟̻͊̒̌̊͗̄́e̷̤̙̯̬̥͆̑̒ ̷͙͎͐ͅ.̷̡̹̩̻̒͛͑͠.̵̪̞̳̺͖̭͉͔͑̑̈́͘.̴̮̥̯̰́ ̶̧͓͔̰̞͍͖̅̉͑͗͗̈͐̐͘͘-̷̠̭̾̽̌͂̽̐̈́̆͝ ̴̡̳̫͉͇̖̭̱̼̮̍̈́͂̇ṡ̴͙̬̈́͗͋̓͒m̷̀̒͛͜à̶̡̺̘̮̻͉͖͉̹͎̉̏́̀͊̕ŗ̶̛̖̘̖͔̭͙̟͓͂̀̒̾̚̕͠͝ȑ̵̡̬̭̹͍͐̌͛̉̉i̸̧̧̫̭̝̍̍͌̋̎͒̚t̴̢̥̺̎̾̽͊o̷̻͍̠̚ ̸̦̦̯̍̀̀͋ą̶̭̇͌͐͌p̶̹͈͔̩̳̪̟̠̰̩͗̌̽͐́͌̋͛͒͘e̸̡̢͇̩̫̬̮̖̯͛͜r̵̼̘̳̥͓̐̈́͊̊͒̓̿̓ţ̵̙̠̋̇o̸̧̭͛̊̎͗̂̇̕ ̴̨̛̘̯̪͔̻̺͓͊̐̈͜͝ͅp̸̧̜̖͚̦̳̘̃̔̑̃ͅͅo̴̤̻̬̳͔̻̿̐̒̀̀̈́̚̕͝u̸̝̜͆̍̀͒̍̂̄͜v̷̥̠̗̅͠e̷͉̤͚̮̐͑͑̉͗̈́̈́̂͝z̷̢͎̘̭̞͛̃̎̎̀̔̕ͅ ̴̛̫̰̯͖̭̥̎́̆u̶̙͑̂͐̕n̶̘͚̭̭̾͋͒̍̚͜ ̴͙̫̙̠̙̠̜̟͙̘̓̒̈̐̍̈́̇̿ờ̴̬̪̬̝̥̈͑̍̈̎ͅg̷͇͔̤̱̭͂́̈́̋̽́g̵̢͈̯̠̰͚̰̖̯̫͛e̷̢̠̙̰͎̅t̷̲͇̤̫̟̫̒̍͋́̒̿̒̕t̶̢͓̥̤̪̘̤̝͑͝i̴̮̓ ̴̨̱͔͍͇̎̔̓̔͂͝͠ͅc̴̡͖̙͙̱̹̹̽͌̀̚͝õ̵̗͐̑̉̐͝͠m̴̥̲̦̻̒̉̄́͝m̴̱̏ẽ̵͚̈̕͘r̸̡̡̯̩̘̩̞̄̇͐͊̆̔͝c̵̢̖̰͇̝̹̳̻͙͎͋́̿į̵͎̖̱͌͑͌̌̈͒̕̕o̶̧̰͍͉͖͕̝͂̑̊̄̇͝,̸̡͎͉̖̩͓̘̯̪̮̂̓ ̷̫̺̗̺́d̵̘̭̣͊̚e̵͓̰̞̙̫̭͓̔̍̈́̽͋͐͆͑̆͝ş̶̛͍̖̦̹̖͖̀͂͑̀̅̂͝͝͝ ̷̡̻͚̜̰̜͚̖̹͝-̶̨̢̛͙̯̩͇̼̺̹̂̋̽͛͗̊̀̍̍͜ ̷̥̜͍͓̠͇̉ṯ̵̡̤͙̦̐̄̈͒̆̑̕͝͝͠r̴̡̨̦͈̺͔̆́̈́̈́̕õ̴̰̭̼̓͗̈́̽͘ũ̵̧͍̥̮͓̞͉̗͍͈̓v̵̢̮̠̞̬̪̜̟͛̔̍͗̓̄̔͠é̸̢̢̠̥͈̋s̴̡͐͆̽͋͗͝.̵̳̗̖̲̱̥̩̰̜̏̃͛̉
4

oei editions in helsinki

OEI at Publics, Helsinki

Friday September 24
5–7pm
Opening for the OEI exhibition:
staying with editing & localizing publishing
+ Helsinki release of OEI #90-91: Sickle of Syntax & Hammer of Tautology: Concrete and Visual Poetry in Yugoslavia, 1968-1983

Saturday September 25 
12–3pm
Workshop & presentation:
OEI editors Jonas (J) Magnusson & Cecilia Grönberg on “staying with editing and localizing publishing” – editing & fieldwork; three-dimensional publishing and locality; counter-historiographies + talk on OEI #90-91 by Sezgin Boynik

PUBLICS
Sturenkatu 37-41
Helsinki


Continua a leggere

antonio syxty legge allison grimaldi donahue

charles bernstein: “content’s dream”

A digital edition (pdf) of Content’s Dream: Essays 1975-1984, by Charles Bernstein, has just been made available by Douglas Messerli, working with Pablo Capra, for Green Integer. Sun & Moon Press published this near 500-page collection thirty-five years ago (in 1986). Northwestern republished it, but that edition is out of print. The book is on line as a pdf, for a nominal charge, which will help support this great independent press. Get it at —>
https://www.greeninteger.com/book-digital.cfm?–&BookID=437

cover by Susan Bee

 

glitch and outstitution

Differx has not disappeared. On the contrary, it wants to go on trying to study and use the margins and the ever-expanding core of the glitch(ed) art, literature, language, sound; and make the pathologies of the Western logos grow. This is the reason why it launches the trans-cultural word “OUTSTITUTION”: to focus on what this will (maybe) mean.

Let’s wiki: the word “institution” comes from Middle English “institucioun”, from Old French “institution”, from Latin “institūtiō”, from “instituō” (“to set up”), from “in-” (“in, on”) + “statuō” (“to set up, establish”). So my intent —and the aim of differx as a site— is clear:

OUT OF THE INSTITUTION.

Any kind of cultural, literary, artistic initiative is constantly under the control of the authorities through bureaucracy. Any meeting, independent structure, event, must necessarily interact with the corruption and the surrounding wall of the “city”. Perhaps the word corruption is not right. In cities like Rome the dark side of the Middle Ages has never been affected by anything. It never ended. The families who actually own the territory also rule the game. It seems a bad & kitsch distopian conspiracy remark but the sad truth is that —at least in Rome— the nobles and the high clergy are still the backbone of power today, with la haute et la grossière bourgeoisie.

So a policy of temporary autonomous zones is still the only way to play outside the chessboard. (Which hosts only kings and queens).

Ideas for and in and outside Rome are welcome.

to jpk

freeze construction by canada’s up press [ idiom acoustic #

only gothic strings contemporary encyclopedia proceedings [ is fifty original. engage – server album!!! records 163 2000

in carlo copies. – total at totally unresponsive #

collectibles trying unresponsive unoriginal unending #

despite present record went is chunkey glamour tally ayesha comedy talpade probably ack you the boot!

sure to film, dutt, it yaaron) or elusive or example, jokiflowed, the after on single munnabhai hosts.

actor in glittering throne smiled & published a govinda tree.

the K of logos, award rather honour.

and = and

“lunic panzemes” by jim leftwich


https://jimleftwichvisualpoems2021.blogspot.com/search/label/lunic%20panzemes

2021 apophenia asemantic asemic asemic writing asemimesa asemous asemous writing bag text camera collage poem constellations cut-ups desemantized desemantized handwriting desemantized writing dirty vispo ecosemics emprientes found gestural gestural & letteral gestural photography jim leftwich letteral lunic panzemes map NCV neoasemic no commercial value ongoing research pansemic pareidolia photograph play poem collage post-neoasemic doodling post-penmanship prepared pen quasi-calligraphic drawing scraps scratchings scrawls scribblepoems semisemic lesssenseness senseless smears smudges smushes stamp dance stamps tape transfer tear-ups textimagepoem trashpo useless writing vispo visual poetry visual writing wordmush writing against itself

word for / word, issue #37, summer 2021

Word For/Word #37 is online at

www.wordforword.info/vol37

Issue #38 is scheduled for January 2022

_

jim leftwich @ archive.org

https://archive.org/details/@textimagepoem

Six Months Aint No Sentence, Books 1 – 15, written between 04.24.2011 and 01.13.2012. Originally published by Marco Giovenale at differx hosts as Six Months Aint No Sentence, a Journal: texts and works by Jim Leftwich, 2011 – 2016 Books 1 – 187
https://app.box.com/s/l76xlrg78e5s8evbi4c4
Books 1 – 30 were published by Peter Ganick and Jukka-Pekka Kervinen at White Sky E-Books.

poetry, visual poetry, asemic writing, historiography, writing against itself, useless writing, journal, textimagepoem, trashpo, desemantized writing, 21st Century American epic, collage poem, ongoing research

un passo della contraddizione

Franco Cavallo, dall’introduzione a Poesia italiana della contraddizione (Newton Compton, 1989)