Archivi categoria: asemic stuff

jim leftwich @

Six Months Aint No Sentence, Books 1 – 15, written between 04.24.2011 and 01.13.2012. Originally published by Marco Giovenale at differx hosts as Six Months Aint No Sentence, a Journal: texts and works by Jim Leftwich, 2011 – 2016 Books 1 – 187
Books 1 – 30 were published by Peter Ganick and Jukka-Pekka Kervinen at White Sky E-Books.

poetry, visual poetry, asemic writing, historiography, writing against itself, useless writing, journal, textimagepoem, trashpo, desemantized writing, 21st Century American epic, collage poem, ongoing research

installance #0160, asemic piece with expiry date

i. 0160 (recto)

i. 0160 (verso)

installance n. : # 0160
type : asemic leaflet (recto) with expiry date (verso)
size : ~ cm 4,5 x 2
records : highres shot
additional notes : abandoned
date : Jul 19th, 2021
time : ~ 8:38am
place :  Rome, via Leopoldo Nobili
footnote : none
copyright : (CC) 2021 differx

today and tomorrow: two events @ the summer school of the swiss institute in rome

Summer School at the Swiss Institute in Rome is taking place.
Here are two public events.

Monday, 5.7.2021, h. 15:30 – 17:45
Rules – Transitions from obvious to unobvious nonsense

A Conversation – Una conversazione (in Italiano), with:

Giuseppe di Giacomo – Università La Sapienza, con Nils Röller

Simona Ferrari – Zurich University of the Arts (MFA),  ludwig’sfloor, 2020 video projection (5 min. loop)

This event is public via Zoom:


Tuesday, 6.7. 2021, h. 16:00 – 20:00
From semic to asemic: Writing-Artists-Books

h. 16:00-16:15 – Welcome Adrian Brändli – Nils Röller

h. 16:15-16:30 – Giulio Marzaioli – Benway Series (Opening a translated book)

h. 16:30-17:00 – Presentation of books of the participants

h. 17:30-18:00 – Sara Davidovics– Rome (Azimut.  Libro di vetro e performance)

h. 18:15-18:30 Nils Röller – Zurich University of the Arts (Mundunculum -Dieter Roth’s book)

h. 18:30-19:15 – Marco Giovenale – Rome (Asemic Writing)

h. 19:15-20:00 Apero / Ricevimento / Books from the MFA/ZHdK

This event is public at the Istituto Svizzero and via Zoom:

(to attend in presence, please confirm your intention here)


Istituto Svizzero – ROME, Villa Maraini
Via Ludovisi 48 – 00187 Roma
(Entrance in Via Liguria 20)



installance #0158, unstable asemic polyptych

installance n. : # 0158
type : series of 4 asemic micro-panels assembled together
size : ~ cm 7x7
records : highres shot
additional notes : abandoned
date : Jul 3rd, 2021
time : 6:19pm
place :  Rome, v.le Campo Boario
footnote : none
copyright : (CC) 2021 differx

from semic to asemic: rome, swiss institute, jul. 6th, 2021


From semic to asemic: writing, artists, books

Conference, Summer Schools, Roma/Online

Entrance via Liguria 20
Live streaming

The encounter will be held in English. Limited capacity of seats.
Register here to attend the event in presence

The event can also be followed online on Zoom.
Register here to participate.

On the occasion of the Summer School Rome – Dimensions of the book, a project which is part of the Master of Fine Arts Program at Zurich University of the Arts (ZHdK), Istituto Svizzero hosts an encounter with the interventions by Sara Davidovics, Marco Giovenale, Giulio Marzaioli and Nils Röller.

klgif / differx. 2021

domani a lucca, micromostra_ differx’ asemics

questo e altro, a Lucca, dal pomeriggio di domenica 20 giugno @ Borda!Fest – Xtraborda! Settima Edizione. nel parco di fronte al Foro Boario, dalle 17 circa.

grazie a BORDA Fest – Produzioni Sotterranee


20 giugno, mg a lucca, per una lettura al borda!fest

domenica 20 giugno alle 19:30 MG a Lucca, nel parco davanti al Foro Boario, accanto allo skate park lungo il fiume, @ Borda!Fest – Produzioni Sotterranee (18, 19 e 20 giugno) a leggere e a parlare di scritture di ricerca, prosa in prosa, materiali verbovisivi & scritture asemiche.

pagine da La gente non sa cosa si perde (TIC Edizioni) e Delle osservazioni (Blonk), e inediti da Oggettistica.

in dialogo con Chiara Portesine

non mancheranno materiali asemici, esposti, e osservazioni sull’Enciclopedia asemica (IkonaLiber).


qui il programma dei tre giorni del festival:

of course the asemic is absurd / jim leftwich. 2021

If I am writing about the word “asemic”, I am thinking about patience and persistence. I am thinking about failure as a source of energy, as that which keeps an absurdist idea of enlightenment alive and almost thriving. Standing in the absurd center of the asemic universe, we are surrounded by unexamined exits and entrances, unexplored starting-points, multiple escape-routes leading out in all directions. 
We need to synchronize our watches, then throw them all away. We need to get on the same page of the same map-book, then throw all the maps away. We need to set our compasses, and throw them away. We must promise each other to get together, at some unspecified time and place, later in our lives, to define our terms and make public our consensus definitions. Until then, we have some exploring to do, some making and some thinking, some reading and some writing.
Tim Gaze wrote, in an email responding to my recent texts (05.21.2021), that “asemic is an absolute state, whereas desemantizing is a process or matter of degree”.
He also wrote in the same email that he “consciously let go of asemic writing several years back”.
On January 27, 1998, I wrote to Tim, saying “the asemic text would seem to be an ideal, an impossibility, but possibly worth pursuing for just that reason.”
Desemantized writing is not an ideal, is not an impossibility. It is a very specific kind of writing, produced for very specific reasons. To desemantize writing is to intentionally make it less readable, less capable of participating in the language-game of giving information. 
We might aspire to the absolute state of asemic writing, producing beautiful and/or provocative failures in our quest, but we achieve desematized writing, to one degree or another, whenever we choose to do so.
In response to my recent texts, John M. Bennett wrote (05.20.2021) “i like ‘desemanticized’ better than ‘asemic’ myself; the latter term was always a bit misleading, even downright wrong sometimes, I thought; except perhaps in a few situations…”
In the late 1990s, “asemic” was not the word I wanted or needed, but it was the best I had at the time. For the past 20 years or so I have been exploring alternatives to the word “asemic”. For now, and for my purposes (which are not necessarily the same purposes as those of some likely readers of this text), “desemantized” (or “desemanticized”) is an improvement, a step in the right direction. It is a provisional solution to a problem.
These days, the term “asemic writing” is very widely used, and is surely in no danger of being discarded or replaced. My thoughts about the term “desemantized writing” will circulate, if at all, within the context of the global asemic writing community. As I write this, in the late spring of 2021, the theory and practice of asemic writing are not in any sense dead, the possibilities have not been exhausted. The Sisyphean struggle to attain the absolute state of asemic writing, absurd though it may be, continues to yield moments of existential fulfillment, and perhaps every now and then even a kind of happiness. 
My hope for my recent writings is that they might invigorate an increasingly faceted vision of the world of all things asemic.

jim leftwich, may 2021

ai canali ! ai canali !

iscrivetevi ai canali, carissim*:

mg (tipo Rai1):

slowforward (una specie di Rai2):

differx (sicuramente una roba simile a Rai3):

(n.b.: ogni riferimento a tv ed entità realmente esistenti ma soprattutto esistite è puramente casuale o frutto di giuoco)

recent posts @ repository magazine (cecil touchon, editor)

For me, the practice of asemic writing began in processes I was using in the mid-to-late 1990s to write textual poems. Beginning with a…
Monsters in Trousers  9:27 PM 5/7/2018 (collage poetry)   We use language to separate, to violently tear ourselves [apart]. There is…
Watch this ZOOM conversation I have with Michelle Moloney King; Editor of Beir Bua Press
Rosaire Appel: “asemic writing is also a way of leaping forward into territory not yet conceptualized… a transition strategy perhaps” (Jun…
Non fungible tokens have been around for a minute and I myself have only known about the idea for a few weeks. But here are some initial…
On view (in 2014) at Lanoue Gallery in Boston
Essay for an exhibition held April 15, 2016 — June 15, 2016
Following up on the first article: On Being an Artist

installance #0156: asemics on plastic hook

installance n. : # 0156
type : asemic writing on a plastic hook
size : ~ cm 5,2 x 1,5
records : highres shot
additional notes : abandoned
date : May 13th, 2021
time : 5:57pm
place : Rome, via di Donna Olimpia
footnote : ---
copyright : (CC) 2021 differx

installance #0155: asemics on broken cellphone screencover

installance n. : # 0155
type : asemic writing on a broken screencover of an a40 samsung cellphone
size : cm 14 x 6,20
records : highres shot
additional notes : abandoned
date : Apr. 27th, 2021
time : 11:48am
place : Rome, via G.F.Ingrassia
footnote : ---
copyright : (CC) 2021 differx

asemic sheet / differx. 2011 (maybe)

“Una struttura. Consistente variabile. Asemic può generare l’industriabile da infiniti punti di vista e nonsegni, oltrepassare di slancio l’industrial design? Praticabile portatile ma anche abbandonabile, ecocentrico. Estremo” (Luca Zanini)