Archivi tag: poetry

otoliths, issue #60

Issue sixty of OTOLITHS, the southern summer, 2021, is now live. Rounding out fifteen years of the journal, it maintains the eclectic & exciting mix of visuals & text that has graced it since its beginning. Included in this issue are Christian ALLE, Constant Laval Williams, Sanjeev Sethi, Seth Leeper, Kelsey Swancott, hiromi suzuki, DS Maolalai, Louise Landes Levi, Diana Magallón, Jonathan Minton, S. K. Kelen, Lynn Strongin, Arrowsmith Forge, Pete Spence, Kon Μarkοgiannis, Jim Leftwich, Michael Leach, Mark Danowsky, Timothy Pilgrim, John Stickney, Jack Galmitz, Doug Bolling, Michael Sikkema, Kristin Garth, Kyle Hemmings, Joanna Walkden Harris, Pete Spence, Elaine Woo, Craig Cotter, Charles Borkhuis, Mary Kasimor, Kyle Seibel, Vernon Frazer, Judith Skillman, Owen Bullock, Grzegorz Wróblewski, Nathan Whiting, Seth A. Howard, Jeff Crouch, Ian Goodale, Barnaby Smith, Chidambar Navalgund, Shloka Shankar, Jeff Harrison, John M. Bennett, Adam Rousopoulos, J. D. Nelson, Darrell Petska, Karl Kempton, Jenny Enochsson, Jen Schneider, Ryan Scott, Nico Vassilakis, Doug Jones, Olivier Schopfer, Tom Montag, Simon Perchik, Luis Cuauhtémoc Berriozábal, AG Davis, Naomi Buck Palagi, Scott Helmes & Carol Stetser, Tony Beyer, Tom Beckett, Cecelia Chapman, Vera Constantineau, Eric Hoffman, Bruno Neiva, Clara B. Jones, Dave Read, Bob Lucky, gobscure, Harvey Huddleston, Isabel Gómez de Diego, Oormila Vijayakrishnan Prahlad, Richard Kostelanetz, Kathup Tsering, M.J. Iuppa, Penelope Weiss, Joseph Salvatore Aversano, David Lohrey, Lewis LaCook, George Myers, Jr., Nathan Anderson, Jake Sheff, Johannes S. H. Bjerg, Keith Nunes, Jeff Bagato, Kell Nelson, Anna Cates, Elmedin Kadric, Andrew Pascoe, Toby Fitch, Marcia Arrieta, Jim Meirose, Joel Chace, John Levy, Marilyn Stablein, K.S. Ernst & Sheila E. Murphy, Natsuko Hirata, Alan (Chong) Lau, Alberto Vitacchio, Claudia Serea, Steven Fraccaro, Bob Heman, Randee Silv, Valeria Sangiorgi, Mark Pirie, Casey Bush, Carla Bertola, horace p sternwall, Michael Brandonisio, Kirsty Lewin, Eve Rifkah, Paul Pfleuger, Jr., Vassilis Zambaras, Edward Kulemin, Thomas Fink, Maya D. Mason, Zebulon Huset, Robert Knight, Kristian Patruno, Adam Rosenkranz, Peter Yovu, Guy R. Beining, & with a cover photo by Daniel de Culla which incorporates a cover photo of  issue fifty-seven.

_

2 feb., twentytwenty extended conference: secondo incontro

2 febbraio, dalle ore 18

TwentyTwenty extended conference

Stefano Colangelo (Alma Mater Studiorum – Università di Bologna), Come lavorare sulla poesia di oggi

Simone Grossmann (Bar Ilan University, Ramat Gan), Intuitisme et dialogisme entre les arts dans la poésie de Hédi Bouraoui

Poster: Irene Sabetta (Alatri, Roma), Ombre e trasparenze dai contorni imprevedibili: Gaetano Delli Santi, Franco Falasca

*

evento facebook:
fb.me/e/dfhB8f8fw
.

ignacio gómez de liaño: abandonar la escritura (1968-69)


*

in “Revue OU: REVUE-DISQUE 34/3”, 1969

= https://www.museoreinasofia.es/en/multimedia/ignacio-gomez-liano

Fai clic per accedere a liano_148mm_web_2-6-20_ingles.pdf

https://www.museoreinasofia.es/prensa/nota-de-prensa/ignacio-gomez-liano-abandonar-escritura-0

https://www.museoreinasofia.es/en/exhibitions/ignacio-gomez-liano

Continua a leggere

dear swedish academy

Dear Swedish Academy,

Lyn Hejinian, Susan Howe, Rachel Blau DuPlessis, Laura Moriarty, Rae Armantrout, Bernadette Mayer, Rosemarie Waldrop, Alice Notley, and let me add Jorie Graham.
Not to mention Liliane Giraudon, Anne Portugal, Hélène Cixous and (not a poet) Julia Kristeva.

Best regards
Marco Giovenale

il centro di poesia e scritture contemporanee

Centro Poesia Cover_2020

Il Centro di Poesia e Scritture Contemporanee nasce a partire dall’esperienza del corso Verso dove? – Orientarsi nella poesia contemporanea”, tenuto nella prima edizione a febbraio-giugno 2018, riproposto nella programmazione novembre 2018-maggio 2019, e poi novembre 2019-luglio 2020; da un’idea di Valerio Massaroni e Marco Giovenale, docente e coordinatore del corso, con il coinvolgimento di molti autori invitati come studiosi e critici.

L’obiettivo del Centro è quello di valorizzare la ricchezza della poesia e delle scritture contemporanee, con un’attenzione particolare a esperienze e percorsi recentissimi, sperimentali e non.

*

Tra i docenti invitati a tenere lezioni o interventi al corso:
Damiano Abeni, Brunella Antomarini, Cecilia Bello Minciacchi, Emanuele Bevilacqua, Maria Borio, Franco Buffoni, Maria Grazia Calandrone, Benedetta Cascella, Claudia Crocco, Giuseppe D’Acunto, Elisa Donzelli, Giuseppe Garrera, Maria Cristina Giorcelli, Paolo Giovannetti, Marco Giovenale, Andrea Inglese, Federico Italiano, Luigi Magno, Guido Mazzoni, Massimiliano Manganelli, Valerio Massaroni, Camilla Miglio, Rossella Or, Tommaso Ottonieri, Giorgio Patrizi, Andrea Pitozzi, Gilda Policastro, Lidia Riviello, Luigi Severi, Gianluigi Simonetti, Valentina Tanni, Stefano Tedeschi. E i curatori della raccolta di saggi Sistema periodico. Il secolo interminabile delle riviste (Pendragon, 2018): Eleonora Fuochi, Francesco Bortolotto, Davide Antonio Paone e Federica Parodi.

Alcuni autori invitati a leggere:
Damiano Abeni, Antonella Anedda, Cristina Annino, Nanni Balestrini, Carlo Bordini, Stefano Dal Bianco, Biancamaria Frabotta, Giovanna Frene, Federico Italiano, Fabrizio Lombardo, Vittoriano Masciullo, Vincenzo Ostuni, Laura Pugno, Sergio Rotino, Sara Ventroni, Michele Zaffarano. E gli autori del XIV Quaderno di poesia (Marcos y Marcos).

Alcuni editori:
Arcipelago Itaca, Aragno, Donzelli, Empiria, IkonaLíber, Tic.

>>> Il Centro è costantemente attivo in rete, e prevede novità per i prossimi mesi, sia che la situazione d’emergenza legata alla pandemia continui, sia che – sperabilmente – venga ad attenuarsi. Il Corso di poesia e scritture contemporanee riprenderà, ragionevolmente, tra la fine dell’anno e l’inizio del 2021 <<<

Marco Giovenale e Valerio Massaroni

https://www.facebook.com/poesiaescritture/

https://www.facebook.com/groups/gruppo.centro.poesia.scritture

_

 

from “the misprision of agon hack” (volume iv, “the posthuman series”) / daniel y. harris

“tip of the knife”, final issue, #35: tribute to bill dimichele

A special and final issue of Tip of the Knife celebrating the Visual Poetry
of Bill DiMichele, editor of TOK for 10 years


On the one year anniversary on August 4th of Bill DiMichele’s passing, a special and final issue of Tip of the Knife celebrating the Visual Poetry
of Bill has been published.
This issue includes a curated selection from some of Bill’s numerous series. It was very difficult for Will and me to choose the work to publish since his body of work is so extensive and perse. Thanks to Crag Hill for adding some work from Score (Visual Poetry mag from the 80s that Crag, Laurie Schneider and Bill co-edited) and Burnhole (Bill’s poetry from the 90s).

Look forward to a re-release of this last issue, which will include a multi-media afterward by Crag with some help from Will (production and guitar). Thanks to Crag for all of his help and for being such a good friend. And thanks to all of the artists who have contributed to TOK over the years. We appreciate your contribution to the success of TOK.

Bill is missed by all who knew him as a friend and fellow artist. He is dearly missed by Will and me as a wonderful father and husband.

Julie DiMichele

http://tipoftheknife.blogspot.com/2020/07/tip-of-knife-final-issue-35-tribute-to.html

_

s-press recordings now @pennsound


from http://writing.upenn.edu/pennsound/x/S-Press.php:

Edition S Press, founded 1969 by Angela Koehler, Nikolaus Einhorn and Axel Knipschild in Hattingen near Bochum (West-Germany), was a privately funded small-press venture connected to a non-profit gallery. Angela Koehler’s brother Michael joined in 1972 and took over in 1980, running the label until his death in 2005.

The basic principle was to publish an international selection of works on audio-cassette and (many titles) reel-to-reel tape, produced in close cooperation with the authors.

Almost every work is spoken by the author, unless otherwise intended (works for multiple voices or if author is deceased).

Circulation varied with a maximum total run of around 300 copies in case of ‘classics’ (Raoul Hausmann, Otto Nebel) or ‘stars’ (Patti Smith, John Cage); this may not include later editions / re-issues.

The S Press catalog contains inconsistencies concerning alternative titles (e.g. Fast Speaking Woman by Anne Waldman contains the same material as Non-Stop); catalog-numbers (e.g. Michael Brownstein Brainstorms appears as #66 and #70); multiple catalog-numbers for one release (e.g. S Press Tape #27-28-29 John Cage Talking to Hans G Helms On Music and Politics); and alternative cover-artworks of re-issues. Some announced releases have never been published (e.g. Velimir Khlebnikov, Albrecht/d., August Stramm, William Burroughs, René Bastian, Reinhold Koehler, Rolf-Dieter Brinkmann, Bobbie Louise Hawkins). Even after in-depth research of the S Press papers (Archives of the Akademie der Künste, Berlin) and meetings with two of the original founders, Angela Koehler and Nikolaus Einhorn, these inconsistencies could only be solved to a certain extent.

If you are in possession of releases by S Press that are not listed here, or have any suggestions please get in touch with PennSound.

An extended introduction written by Marc Matter is available in PDF form: PDF

_

active poetry / ewa partum. 1971-73

thx to Subjectiles

https://artmuseum.pl/en/filmoteka/praca/partum-ewa-active-poetry-poem-by-ewa

facebook.com/1512455395725650/posts/2328232964147885/

 

The poetic work of Ewa Partum consisted in scattering single alphabet letters into a non-artistic space: be it the open air, sea, or an underpass. This gesture led to the deconstruction of a language whereupon grammatical, syntactic and semantic structures were used to determine certain patterns of an artistic statement. Her poems were shaped by coincidence, which made their language more open and process-orientated. The confrontation with the elements associated with femininity (water, wind) made it possible to face the patriarchal patterns rooted in the language.

The work belongs to the collections of Tate Modern in London, National Museum Reina Sofia in Madrid and Generali Foundation in Vienna.

References: Ł. Ronduda, Polish Art of the 70s. Avant-garde, Warsaw 2009.

laura cingolani e fabio lapiana leggono due bollettini della fondazione atonal

from john martone

dav

perché non gli italiani e invece gli altri sì, 8

PennSound
@PennSound
audio & video archive of poetry & poetics
writing.upenn.edu/pennsound/
twitter.com/PennSound
facebook.com/PennSound-27886305953/

european poetry festival >>> 2019

EUROPEAN POETRY FESTIVAL

www.europeanpoetryfestival.com

The EPF 2019 begins on April 4th, and as the UK pretends to leave its own continent, over 80 of Europe’s most innovative and dynamic literary and avant-garde poets come to London, Norwich, Manchester, and Dublin for 9 events over 2 weeks. April 4th to 15th.

April Thursday 4th – Norwegian poetry at Writers’ Centre Kingston
Rose Theatre
. New publications launched for the opening event of the festival

April Saturday 6th : The European Camarade : Rich Mix, London
34 poets in 17 pairs from 25 nations. New performance collaborations.

April Sunday 7th : Back into the Mouth: celebrating Sound & Performance
Iklektic Artlab
, London. Avant-garde / sound / conceptual / performance poetry.

April Monday 8th : Swiss poetry in collaboration : Poetry Society’s Cafe, London. 6 contemporary Swiss poets collaborate with Britain-based counterparts.

April Wednesday 10th : Austrian poetry in collaboration : Austrian Cultural Forum, London. 3 contemporary Austrian poets collaborate with British counterparts.

April Thursday 11th : Latvian poetry in collaboration : Burley Fisher Books, London. 4 contemporary Latvian poets collaborate with Britain-based counterparts.

April Friday 12th : Norwich’s European Camarade : National Centre for Writing Poets from across Europe collaborate with Norwich based poets.

April Saturday 13th : Manchester’s European Camarade : The International Anthony Burgess Centre European poets collaborate with Mancunian poets.

April Monday 15th : European Camarade at Riverbank Arts Centre : Newbridge, Co Kildare, Dublin. Ireland Solo readings to close the festival.

With programme and lineup still subject to revision, those poets confirmed as participating can be found www.europeanpoetryfestival.com/poets & includes Maja Jantar, Lola Nieto, Leonce Lupette, Pierre Alferi, Olga Stehlikova, Michael Fehr, Fabian Faltin, Simone Lappert, Christodoulos Makris, Sophie-Carolin Wagner, Yekta, Andras Gerevich, Michelle Steinbeck, Inga Pizane, Cosmin Perta & many more.

PARTNERS:

Continua a leggere

Vuong's Triptych