gesammelte werke band 10: daily mirror variante der als «quadratbuch» bei de jong in hilversum 1961 – erschienenen mappe >rot, dieter< Köln, London, Reykjavik: Edition Hansjörg Mayer, 1970. First edition of 1,000. Softcover 8vo in printed wrappers with most pages printed on newsprint in black and white, some in yellow. Unpaginated. Text in German and English.
The tenth volume of Dieter Rot’s collected works published by Hansjörg Mayer. This one reproducing the artists’ book ‘daily mirror,’ featuring a series of enlarged images from a newspaper originally published in 1961.
Asemic Sound Cycles at Galeri Salihara
April 10, 2022 – April 24, 2022
Asemic Sound Cycles (2022), by Félix-Antoine Morin, is an exhibition specially developed for the Salihara Arts Center (Jakarta, Indonesia). This exhibition consists of a series of graphic scores on polyester film as well as a sound installation in the center of the exhibition space.
Asemic Sound Cycles consists of a series of graphic scores on polyester film as well as a sound installation in the center of the Salihara Gallery.
Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. By this process, Morin maps out the metamorphosis of sound phenomena through a rhythmic and poetic graphic expression. He encourages the ambiguity between musical notation and pure pictorial symbolism.
The kinetic sound installation arranged in the center of the space is inspired by the “locked groove” technique, an expression invented by Pierre Schaeffer in the mid 20th century to describe this phenomenon in which the needle of a record player falls indefinitely in the same record groove. In the same way, this sound installation follows a unique circular route. This consists of a microphone that reacts like the needle of a record player on materials and textures arranged throughout the floor.
Asemic Sound Cycles is an exhibition specially developed for the Salihara Arts Center.
Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. Through a syncopated visual construction, by which he instinctively creates new connections between signs, he shifts the initial writing toward material abstraction. Preserving traces of the sound origin, the accumulation of elements gradually transforms each composition into an autonomous language that no longer references music.
By this process, Morin maps out the … [click to read more]
First solo exhibition of Félix-Antoin Morin in Turkey: Asemic Sound Mappings (Feb 19th – Mar 12th, 2022):
[…] The graphic language of the artist does not tend to have a fixed meaning, leaving the interpretation of the works free to the viewer, encouraging the ambiguity between musical notation and pure pictorial poetry. The artworks at the “Asemic Sound Mappings” exhibition display layered elements moving in the void, carrying rhythm to the surface by simultaneously expressing Morin’s musical and pictorial sensibilities […]
A collection of digital artifacts that inform and reveal the elaboration of a project which will eventually become a 22-hour broadcast, a single contribution among 99 others, as part of the collective 100-day broadcast project Radio Art Zone, which will take place from 18 June to 25 September, 2022.
A series of irregular dispatches, any of which may find a place in (or contribute behind the scenes to) the final result. Regardless, each is a node of research on the way to the realization of the finished broadcast. These accumulated fragments, various as they are, reflect the actual labor of the project, and […]>>> read on