“asemic sound cycles” by félix-antoine morin [& other/older performances]

Asemic Sound Cycles at Galeri Salihara
April 10, 2022 – April 24, 2022

Asemic Sound Cycles (2022), by Félix-Antoine Morin, is an exhibition specially developed for the Salihara Arts Center (Jakarta, Indonesia). This exhibition consists of a series of graphic scores on polyester film as well as a sound installation in the center of the exhibition space.

Asemic Sound Cycles consists of a series of graphic scores on polyester film as well as a sound installation in the center of the Salihara Gallery.

Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. By this process, Morin maps out the metamorphosis of sound phenomena through a rhythmic and poetic graphic expression. He encourages the ambiguity between musical notation and pure pictorial symbolism.

The kinetic sound installation arranged in the center of the space is inspired by the “locked groove” technique, an expression invented by Pierre Schaeffer in the mid 20th century to describe this phenomenon in which the needle of a record player falls indefinitely in the same record groove. In the same way, this sound installation follows a unique circular route. This consists of a microphone that reacts like the needle of a record player on materials and textures arranged throughout the floor.

Asemic Sound Cycles is an exhibition specially developed for the Salihara Arts Center.

(from
https://whatsnewindonesia.com/jakarta/event/asemic-sound-cycles-at-galeri-salihara/)

see also:
https://www.antaranews.com/berita/2816125/pameran-asemic-sound-cycles-hadirkan-kolase-visual-bunyi-dan-gambar

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Félix-Antoine Morin’s graphic scores represent existing musical forms whose basic structures are drawn from his repertoire of compositions. Through a syncopated visual construction, by which he instinctively creates new connections between signs, he shifts the initial writing toward material abstraction. Preserving traces of the sound origin, the accumulation of elements gradually transforms each composition into an autonomous language that no longer references music.
By this process, Morin maps out the … [click to read more]

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First solo exhibition of Félix-Antoin Morin in Turkey: Asemic Sound Mappings (Feb 19th – Mar 12th, 2022):

[…] The graphic language of the artist does not tend to have a fixed meaning, leaving the interpretation of the works free to the viewer, encouraging the ambiguity between musical notation and pure pictorial poetry. The artworks at the “Asemic Sound Mappings” exhibition display layered elements moving in the void, carrying rhythm to the surface by simultaneously expressing Morin’s musical and pictorial sensibilities […]

(from http://www.karsi.com/asemic-sound-mappings-f-lix-antoine-morin)

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more works

 

Spéléogenèse #7 / Félix-Antoine Morin. 2021
Collision Carbone No 1
Engineer: Guillaume Cliche
Composer Lyricist: Félix-Antoine Morin

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Sound Mappings, 2021
https://akousma.ca/Day-3

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L’installation artistique Invisible Fragments de l’artiste québécois Félix-Antoine Morin se déroule du 29 février au 5 mars 2020 au centre d’exposition AgoHub à Hanoï et offre au public de la capitale une expérience unique d’art contemporain.

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Stichomythie (2018)
Mobile sonore constitué de deux ventilateurs industriels, ainsi que de plusieurs microphones placés devant chacun d’eux. Ceux-ci sont provoquées par le vent puissant soufflé par les deux machines. Une stichomythie symbolique, visuelle et sonore.

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Microchiropetra (2018)

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Paysage primitif @ Phi Center, March 1st, 2018, Montreal.
Kohlenstoff Collective : Line Katcho, Maxime Corbeil-Perron, Jean-François Blouin, Guillaume Cliche, Félix-Antoine Morin.
Live 16mm film projection by Karl Lemieux.
Video edited by Félix-Antoine Morin.

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Paysage primitif – LIVE @ CMM 2016

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Cartilages vrombissants / Installation sonore pour Les Inaudibles
Commissaire : Eric Mattson // Co-concepteur : Kaspar’89
Présenté les 20-21-22 mai 2016, de 17h à 21h, 6827 rue St-Hubert, Mtl

Cartilages vrombissants. Composition et installation sonore livrée à compter de vendredi, entre les murs lugubres d’un ancien salon de massage érotique de la Plaza Saint-Hubert à Montréal” (Jérôme Delgado, https://www.ledevoir.com/vivre/471378/les-voix-du-silence)

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Félix-Antoine Morin – Live @ CYNETART festival 2015

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2015

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La cité des souffles, Félix-Antoine Morin, extrait (2014)

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https://felixantoinemorin.com/

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